skip to main content

“Membaca Zaman": Refleksi Pemikiran Jeihan dalam Lukisannya, 1953-2012

*Herliyana Rosalinda  -  Fakultas Bahasa dan Seni Universitas Indraprasta PGRI, Indonesia
Dhanang Respati Puguh  -  Departemen Sejarah Fakultas Ilmu Budaya Universitas Diponegoro, Indonesia
Open Access Copyright (c) 2017 Jurnal Sejarah Citra Lekha under http://creativecommons.org/licenses/by-sa/4.0.

Citation Format:
Abstract

This research examines on the reflection ofJeihan's thoughttraced via his paintingsproduced during 1953 until 2012. It uses historical method with hermeneutical approach. Jeihan’s childhood experienced abnormalities, that made him marginalized in his family and social environment. As the result, his personality became rough and rebellious. It affected his painting style that tend to be harsh and had no character. This bad temper attached him until 1953, when Jeihan studied painting in Himpunan Budaya Surakarta (HBS), and continued his higher education to Institut Teknologi Bandung (ITB). In order to understand painting style, it can be seen from line and color paintings that always progressed. It can be analyzed into four periods which colored by a different artistic style, that are seeking (1952-1965), discovery (1965-1975), maturation (1975-1985), and reaping period (1986-2012).

Fulltext View|Download
Keywords: Jeihan Sukmantoro, paintings, interpretation, artworks.

Article Metrics:

  1. Anto, Tris Neddy, dkk. (2012). Seri Profesi Industri Kreatif: Menjadi Seniman Rupa. Surakarta: Mentagraf, Creative Imprint of Tiga Serangakai
  2. Film Dokumenter; “Maestro Jeihan” (Jakarta: Indra TV, 17 Januari 2004), episode 95
  3. Jeihan (1993). Andika: Pameran Lukisan Jeihan Andi’s Gallery. Jakara: PT Andi Jaya Abadi
  4. Yudono, Jodhi “Goresan Figuratif Eksklusif Maestro Lukis Indonesia”, Kompas.com (online) http://megapolitan.kompas.com /amp/read/2012/05/31/00523817/Goresan.Figuratif.Eksklusif.Maestro.Lukis.Indonesia., diunduh pada 3 Maret 2013)
  5. Katalog Pameran Lukisan (2012). “The Soul of Art, Solo Exhibition”. Jakarta: The Soul of Art Foundation
  6. Ricklefs, M.C. (2008). Sejarah Indonesia Modern 1200-2008 (diterjemahkan oleh Tim Penerjemah Serambi). Jakarta: Serambi Ilmu Semesta
  7. Mahatma, Masmuni (2010). Bulan di Atas Ka’bah, Sufistika Jeihan. Bandung: Jeihan Institute
  8. Mamannoor (2005). Jeihan Jeihan Jeihan. Bandung: Yayasan Pengembangan Seni Rupa Indonesia
  9. Mustika (1993) Tokoh-tokoh Pelukis Indonesia. Jakarta: Dinas Kebudayaan DKI
  10. Sumardjo, Jakob (2007). Jeihan Ambang Waras dan Gila. Bandung: Jeihan Institute, 2007
  11. Supangat, Jim (2000). Outlet: Yogya dalam Peta Seni Rupa Kontemporer Indonesia. Yogyakarta: Yayasan Seni Cemeti
  12. Supartono, Alexander (2000). “Lekra vs Manikebu: Perdebatan Kebudayaan Indonesia 1950-1965” (Skripsi STF Driyarkara Jakarta)
  13. Tambayong, Yapi (2012). 123 Ayat tentang Seni. Bandung: Nuansa Cendekia
  14. “Sepotong Tangan, Segurat Nasib”, Kompas, 18 Januari 2004
  15. “Lukisan S. Sudjojono dan Jeihan; Ada Cara Lain untuk Menawarkan”, Kompas, 20 Agustus 1985
  16. “Himpunan Budaya Surakarta”, Mekar Sari, 15 November 1987
  17. “Nama & Peristiwa”, Kompas, 28 Maret 1990
  18. “Tiga Milyar untuk Bulan”, Gatra, 10 April 1999
  19. Kompas, 1980
  20. “Mata Perempuan Jeihan, Ah Hantu”, Tempo, 24 Januari 2004
  21. “Pilihannya Perempuan Urban”, Pikiran Rakyat, 13 Juli 2006

Last update:

No citation recorded.

Last update: 2024-04-14 08:24:44

No citation recorded.