skip to main content

Lomban Jepara Sebagai Inspirasi Penciptaan Film

*Philipus Nugroho Hari Wibowo  -  Jurusan Teater, Fakultas Seni Pertunjukan,Institut Seni Indonesia Yogyakarta, Indonesia
Open Access Copyright 2020 Endogami: Jurnal Ilmiah Kajian Antropologi under http://creativecommons.org/licenses/by-nc-sa/4.0.

Citation Format:
Abstract

The creation of this film inspiring on the idea of the Lomban ceremony in Jepara Regency. Lomban is a buffalo head barrel ritual in the middle of the sea as an expression of gratitude. The creation of Andini’s Dream combines fiction film and Visual data from Lomban Research packed with a visual anthropological approach. The Lomban story is presented with the perspective of a woman named Andini, a sad buffalo owner who lost her buffalo because it was used for the Lomban ceremony.

Fulltext View|Download
Keywords: Lomban; Fiction; Visual Antropology; Andini’s Dream

Article Metrics:

  1. Alamsyah. 2013. ‘Budaya Syawalan Atau Lomban Di Jepara: Studi Komparasi Akhir Abad Ke-19 dan Tahun 2013’, Majalah Ilmiah Masalah-Masalah Kehumanioraan, 18(2). doi: 10.14710/humanika.18.2
  2. Dougall, M. 2006. Corporeal Image;Film, Ethnography, and The Senses. Princenton Universitu Press
  3. Fauzanafi, M. Z. 2012. Melampaui Pengelihatan. Yogyakarta: Rumah Sinema
  4. Hutcheon, L. 2006. Theory of Adaptation. New York: Routledge
  5. Indrahti, S. et al. (2018) ‘The Existence of Culinary at Lomban Festival in Jepara: Comparative Study of the Dutch East Indies and Reformation Period’, Komunitas: International Journal of Indonesian Society and Culture, 10(1), pp. 25–33. doi: 10.15294/komunitas.v10i1.10971
  6. Jay, M. 1994. Downcast Eyes: The Denigration of Vision in Twentieth Century French Thought. University of California Prees
  7. Mascelli, J. V. 2005. The Five C’s of Cinematography. Silman-James Press
  8. Ningsih, D. P. 2017. ‘NILAI KEARIFAN LOKAL DALAM TRADISI LOMBAN MASYARAKAT JEPARA’, Jurnal Ilmiah Mandala Education, 3(2), pp. 173–180
  9. Wibowo, P. N. H. 2015. ‘Novel Gadis Pantai Karya Pramoedya Ananta Toer Sebagai Dasar Penciptaan Skenario’, REKAM: Jurnal Fotografi, Televisi, dan Animasi, 11(1), pp. 53–68. doi: 10.24821/rekam.v11i1.1291
  10. Yamasita, S. 1994. ‘Manipulating Ethnic Tradition: The Funeral Ceremony, Tourism, and Television among the Toraja of Sulawesi’, Cornell’s journal Indonesia, 58, Oct, pp. 69–82. doi: 10.2307/3351103

Last update:

No citation recorded.

Last update: 2024-11-01 10:06:25

No citation recorded.