DOI: https://doi.org/10.14710/endogami.1.1.21-33

Media, Ranah dan Dinamika Permainan

*Amirudin Amirudin  -  Program Studi Antropologi, Fakultas Ilmu Budaya, Indonesia

Citation Format:
Abstract
In the 21st century, the media is increasing rapidly and requires a specific response from anthropology studies. Not only does the media bring with implications for changes in the process of production and consumption of culture, but also changes to its viewpoint and approach. It's not enough if the media was studied only with a classical perspective that only positioned the media as a cultural communication agent, or otherwise the media is approached with the effects study. However, the media also needs to be recognized with a more progressive perspective that positions the media as an agency in cultural production practices. Based on the idea, this paper provides provocation through Amirudin's research (2016) which tried to present a new perspective in media studies
Fulltext View|Download
Keywords: Media; Anti-esensialist Study; Field

Article Metrics:

Article Info
Section: Articles
Recent articles
Agama & Media Massa Tradisional dan Industrial Menguak Budaya dalam Karya Sastra: Antara Kajian Sastra dan Budaya Strategi Kebudayaan Perjuangan Pahlawan Nasional Pangeran Sambernyowo More recent articles
Most cited articles
Choumiryou dan Harapan Hidup Orang Jepang Perjuangan Masyarakat Adat untuk Keadilan Ekologis di Teluk Benoa, Bali Kerajinan Batik dan Pewarnaan Alami Jurnalisme Multikultural: Gagasan Mengembangkan Cara Pendekatan Pengkajiannya Livelihood Transformations of the Orang Rimba as Tacit Resistance in the Context of Deforestation More cited articles
  1. Amirudin. 2016. Tayangan Religi sebagai Ranah Produksi Budaya: Kajian terhadap Tayangan Mamah dan Aa Beraksi di Stasiun TV Indosiar. Disertasi. Jakarta: Unibersitas Indonesia
  2. ________. 2011. Media dan Produksi Budaya. Sabda Jurnal Kajian Kebudayaan (ISSN 1410-7910). Semarang: FIB Undip. Vol 11, hal 18
  3. Abu-Lughod, Ginsburg, and Larkin B. 2002. Media Worlds: Anthropology on New Terrain. Berkeley: University of California Press
  4. Adorno, T.W. 1991.The Culture Industry: Selected Essays on Mass Culture, J. Bernstein (ed). London: Routledge
  5. Alam, Bachtiar. 1998. ‘Globalisasi dan Perubahan Budaya: Perspektif Teori Kebudayaan’, dalam Jurnal Antropologi Indonesia 21 (54): 1-11
  6. Ang, Ien. 1985. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Methuen
  7. Ang, Ien. 1991. Desperately Seeking the Audience. London: Routledge
  8. Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, London: University of Minnesota Press
  9. Askew, Kelly. 2002. ‘Introduction to Media Anthropolog’, dalam Kelly Askew & Ricahrd R Wilk (eds); The Anthropology of Media a Reader (Oxford: Blackwell Publishing). p.1–12
  10. Bailey, F.G. 1969. Stratagems and Spoils. Oxford: Blackweel
  11. Baudrillard, J. 1975. The Mirror of Production. Telos Press, St. Louis, MO
  12. Baudrillard, J. 1981. For a Critique of the Political Economy of the Sign. Telos Press, St. Louis, MO
  13. Bourdieu, Pierre. 1977. The Outline of a Theory of Practice, trans. R. Nice. Cambridge M.A.: Cambridge University Press
  14. Bourdieu, Pierre. 1992. Language and Symbolic Power. Cambridge: Polity Press
  15. Bourdieu, Pierre. 1993. The Field of Cultural Production: Eassys on Art and Literature. New York: Columbia University Press
  16. Bourdieu, Pierre. 1996. On Television. New York: The New Press
  17. Bourdieu, Pierre. 1998. Practical on the Theory Reason of Action. California, Stanford: Stanford University Press
  18. Bourdieu, Pierre. 2005. Distinction: a Social Critique of a Judgement of Taste. trans. R. Nice. Cambridge, M.A.: Cambridge University Press
  19. Brauchler, B., dan Postill, J. 2010. ‘Theorizing Media and Practice’, dalam Anthropology of Media Vol. 4. New York: Berghahn Books
  20. Cantor, Muriel. 1972. The Hollywood TV Producer: His Work and His Audience. New York: Routledge
  21. Durkheim, E., 1976. The Elemementary Forms of The Religious Life. Terjemahan J.E. Swam: . London: Allen-Unwin
  22. Fiske, John and Hartley, John. 2003. Reading Television. London: Routledge
  23. Fiske, John. 1987. Television Culture: Popular Pleasures and Politics. London: Routledge
  24. Fisher, Michael M.J. 2007. ‘Culture and Cultural Analysis as Experimental Systems’, dalam Cultural Anthropology 22 (1): hal 1-65
  25. Giddens, Anthony, 1984. The Constitution of Society: Outline of the Theory of Structuration. Berkeley: University of California Press
  26. Gitlin,Todd. 1983. Inside Prime Time. New York: Pantheon
  27. Hall, Stuart., et. al. (eds). 1980. Culture Media Language. London: Routledge
  28. Jenkins, Richard. 1992. Key Sociologist Pierre Bourdieu. London: Routledge
  29. Kitley, Philip. 2000. Konstruksi Budaya Bangsa di Layar Kaca. Jakarta: PT Media Lintas Inti Nusantara
  30. Lukens-Bull, Ronald. 2008. “Commodification of Religion and The ‘Religification’ of Commodities: Youth Culture and Religious Identity”, dalam Pattana Kitiarsa (ed): Religious Commodifications in Asia: Marketing Gods (New York: Routledge). p.220-234
  31. Mayer, V., Banks. 2009.‘Introduction to Production Studies’, dalam Bank V Mayer, Miranda J., Caldwell, dan John T (Eds) Production Studies: Cultural Studies of Media Industries (New York: Routledge). p1-5
  32. Mazzarella, William. 2004. ‘Culture Globalization, Mediation’, dalam Annual Review of Anthropology. 33: 345-367
  33. McQuail, Denis. 1983. Mass Communication Theory: an Introduction. London: Sage Publication
  34. Newman, M.Z. dan Levine, E. 2011. Legitimating Television: Media Convergence and Cultural Status. New York: Routledge
  35. Novenanto, Anton., 2009. Mediated Disaster: The Role of Alternatif and Mainstream Media in the East Java Mud Vulcano Disaster. MA Thesis in Department of Cultural Anthropology and Development Sociology. Leiden: University of Leiden
  36. Ortner, Sherry B. (2009). ‘Studying Sideways: Ethnographic Access in Hollywood,’ dalam MayerV. Banks, M. CaldwellJ (Eds); Production Studies: Cultural Studies of Media Industries (New York: Routledge). p.78 – 92
  37. Peterson, Mark, A., 2009. ‘Response to John Postill Social Anthropology/ Anthropologie Sociale’, dalam European Association of Social Anthropologists. Vol 17, (3) p334–344
  38. Pink, Sarah, et al. 2004. Working Images: Visual Research and Representation in Ethnography. London And New York: Routledge
  39. Postill, J. 2013. ‘Fields as Dynamic Clusters of Practices, Games and Socialitie’, dalam Amit (ed); Sociality: An Anthropological Interrogation (Oxford and New York: Berghahn). Diakses melalui http:/wwww. academia.edu/2046704/ Fields_as_dynamic_ clusters_of_practicgames and_socialities pada 25 April 2013
  40. Rappaport, Roy A. 1999. Ritual and Religion in the Making of Humanity. Cambridge: Cambridge University. Sen, Krisna & David T. Hill. 2001. Media, Budaya Dan Politik di Indonesia. Jakarta: PT Media Lintas Inti Nusantara
  41. Shoemaker, Pamela J. dan Stephen D Reese. 1991. Mediating the Message: Theories of Influence on Mass Media Content. London: Longman
  42. Storey, John. (editor). 1994. Cultural Theory and Popular Culture A Reader. New York: Harvester Wheatseaf
  43. Storey, John. 2001. Cultural Theory and Popular Culture: An Introduction. London: Pearson Prentice Hall
  44. Storey, John. 2008. Cultural Studies dan Kajian Budaya: Pengantar Komprehensif Teori dan Metode. Terjemahan Layli Rahmawati (Yogyakarta: Jalasutra)
  45. Turner, Victor W. 1969. The Ritual Process: Structure and Anti-Structure.New York: Cornell University Press
  46. Turner, Victor W. 1974. Dramas, Fields and Metaphors: Symbolic Action in Human Society. Ithaca, New York: Cornell University Press
  47. Turner, Victor W. 1987. The Anthropology of Performance. Preface: Richard Sechechner. New York: PAJ Publications
  48. Valdivia, Angharad., N. 2003. A Companion to Media Studies. Oxford: Blackwell
  49. Van Loon, Joost. 2008. Media Technology: Critical Perspectives. Glasgow: Open University Press
  50. Williams, Raymond. 2003 [1974]. Television: Technology and Cultural Forms. London: Routledge
  51. Zafirau, Stephen. 2009. ‘Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood’, dalam Mayer, Vicki, Banks, Miranda J., Caldwell, John T (eds); Production Studies: Cultural Studies of Media Industries (New York: Routledge).p 302-324

Last update:

No citation recorded.

Last update: 2024-11-20 07:40:27

No citation recorded.