I Like Dangdut Chalange  Dangdut sebagai Sebuah Society of Spectacle

Alifa Nur Fitri

doi:10.14710/interaksi.5.2.166-176

DOI: https://doi.org/10.14710/interaksi.5.2.166-176

I Like Dangdut Chalange Dangdut sebagai Sebuah Society of Spectacle

*Alifa Nur Fitri - , Indonesia

Received: 29 Mar 2017; Published: 29 Mar 2017.

BibTex Citation Data :

@article{Interaksi13835,
    author = {Alifa Fitri},
    title = {I Like Dangdut Chalange  Dangdut sebagai Sebuah Society of Spectacle},
    journal = {Interaksi: Jurnal Ilmu Komunikasi},
  volume = {5},
    number = {2},
    year = {2017},
    keywords = {},
    abstract = {  Abstraksi:    Now, we find so many challenge for charity, one of them and popular is Ice Bucket Challenge. The goal of challenge to helps  research  ALS disease, and this challenge success to help them. One of program television in Indonesia, Indosiar make a same challenge. This challenge not for help ALS patient but for help many children to get educate more better, and this program name is “I Like Dangdut Challenge”. I Like Dangdut Challenge is one of program in “D’Terong Show”one of popular dangdut  program in Indosiar. This is form of epigonism, ALS get good response from people and Indosiar create same challenge to get good response too.     Why Dangdut,not another genre music? Because Dangdut is music from Indonesia and many people young or old can enjoy it. This challenge invite artist, actor, public officials, minister, district head and society to show and dancing with dangdut music, and upload they video in Indosiar. Some public figure was following “I Like Dangdut Chellenge” is Aliando and Prily Ratuconsina, Ganjar Pranowo Governoor  of Central Java, Ridwan Kamil Distric Head of Bandung, CEO of Semen Indonesia Dwi Soetjipto, Ignasius Jonan, Emirsyah Satar and Dahlan Iskan.          Andrew N. Weintraub describtion   Dangdut as  repertoire (of song, text, and spin off stylke), a community(singer, arranger, mucisians, produser, and fans) a performance style (spectacular, excessive, and over the top) and a discource abaout social relations of power.    (Andrew, 2010:15). And now Dangdut is different, not only for underclass but highclass too. Media make dangdut as a spectacle for society, from reality and make it to be a spectacle. Dangdut is a commodity for owner media, to get money, and the ways to society approve it is make it a spectacle to society.      Keywords:    Spectacle, Epigonism, Economy Political Media.   },
   issn = {2548-4907},   pages = {166--176}  doi = {10.14710/interaksi.5.2.166-176},
    url = {https://ejournal.undip.ac.id/index.php/interaksi/article/view/13835}
}

Citation Format:

Abstract

Abstraksi:

Now, we find so many challenge for charity, one of them and popular is Ice Bucket Challenge. The goal of challenge to helps research ALS disease, and this challenge success to help them. One of program television in Indonesia, Indosiar make a same challenge. This challenge not for help ALS patient but for help many children to get educate more better, and this program name is “I Like Dangdut Challenge”. I Like Dangdut Challenge is one of program in “D’Terong Show”one of popular dangdut program in Indosiar. This is form of epigonism, ALS get good response from people and Indosiar create same challenge to get good response too.

Why Dangdut,not another genre music? Because Dangdut is music from Indonesia and many people young or old can enjoy it. This challenge invite artist, actor, public officials, minister, district head and society to show and dancing with dangdut music, and upload they video in Indosiar. Some public figure was following “I Like Dangdut Chellenge” is Aliando and Prily Ratuconsina, Ganjar Pranowo Governoor of Central Java, Ridwan Kamil Distric Head of Bandung, CEO of Semen Indonesia Dwi Soetjipto, Ignasius Jonan, Emirsyah Satar and Dahlan Iskan.

Andrew N. Weintraub describtion Dangdut as repertoire (of song, text, and spin off stylke), a community(singer, arranger, mucisians, produser, and fans) a performance style (spectacular, excessive, and over the top) and a discource abaout social relations of power. (Andrew, 2010:15). And now Dangdut is different, not only for underclass but highclass too. Media make dangdut as a spectacle for society, from reality and make it to be a spectacle. Dangdut is a commodity for owner media, to get money, and the ways to society approve it is make it a spectacle to society.

Keywords: Spectacle, Epigonism, Economy Political Media.

Fulltext View|Download

Article Metrics:

Article Info

Section: Articles

In Vol 5, No 2 (2016): July 2016

Recent articles

SOSIALISASI INTELLIGENT RESEARCH AND INNOVATION SERVICES (IRIS) 1103 BAGI CIVITAS AKADEMIKA UNS (Studi Evaluasi Model CIPP terhadap Sosialisasi IRIS1103 oleh Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Sebelas Maret) PEMBERITAAN DALAM MEDIA MASSA TELEVISI TERKAIT PEMILIHAN PRESIDEN 2014 FACE WORK SEORANG SPY DALAM GAME ONLINE SUPER ARMADA More recent articles

Most cited articles

FENOMENA PHUBBING DI ERA MILENIA (Ketergantungan Seseorang pada Smartphone terhadap Lingkungannya) Peranan Komunikasi Interpersonal Antara Guru Bimbingan Konseling (BK) dengan Siswa dalam Menangani Kenakalan Siswa (Studi Kasus di SMP Kristen 2 Salatiga) Komunikasi Orangtua-Anak dalam Pengambilan Keputusan Pendidikan SOCIAL STRATEGY PADA MEDIA SOSIAL UNTUK PROMOSI PARIWISATA DAERAH ISTIMEWA YOGYAKARTA Pengaruh Tingkat Pendidikan, Pengetahuan, Sikap dan Terpaan Iklan Layanan Masyarakat KB Versi Shireen Sungkar dan Teuku Wisnu di TV terhadap Perilaku KB pada Wanita atau Pria dalam Usia Subur More cited articles

Last update:

No citation recorded.

Last update: 2025-07-01 01:18:53

No citation recorded.

In order to be accepted and published by Interaksi: Jurnal Ilmu Komunikasi, the author (s) who submit a manuscript should complete the review process. Interaksi: Jurnal Ilmu Komunikasi articles are distributed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Articles can be read, shared, and adapted even for commercial purposes under the following conditions:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

The copyright of received articles is assigned to the author (s). The author (s) have the right to the articles that have been published. The Editorial Team of Interaksi: Jurnal Ilmu Komunikasi and the Author(s) strive to ensure that no errors occur in the articles that have been published, both data errors and statements in the articles. Authors who publish in this journal agree to the following terms:

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
The journal allows the authors to hold the copyright and retain publishing rights without restrictions.
Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during submission, as it can lead to productive exchanges and earlier and greater citation of published work.