Implementasi Shibori Di Indonesia

*SIti Maziyah  -  Universitas Diponegoro, Indonesia
Sri Indrahti  -  Universitas Diponegoro, Indonesia
Alamsyah Alamsyah  -  Universitas Diponegoro, Indonesia
Received: 1 Dec 2019; Revised: 10 Dec 2019; Accepted: 12 Dec 2019; Published: 12 Dec 2019.
Open Access Copyright (c) 2019 KIRYOKU
Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Citation Format:
Article Info
Section: Articles
Language: ID
Full Text:
Statistics: 52 207
Abstract

(Title: Shibori Implementation in Indonesia) Shibori is a technique for making batik-like cloth motifs carried out in Japan. Lately, this technique has been favored by many Indonesians because of its simpler technique and faster production than batik making. Actually this technique is similar to batik, which is doing a color barrier to create a motif on the fabric. If in batik the barrier device used is wax, then the shibori used can be from various tools such as rubber, yarn, clothespin, and so on. Based on a search on the culture of making traditional fabric motifs in Indonesia, it turns out that the shibori technique has also been carried out by fabric artisans in Indonesia. What is the implementation of shibori in Indonesia like? By using literature studies from various writings relating to making fabric motifs, finally some shibori techniques can be investigated that have been carried out by traditional fabric artisans in Indonesia.

Keywords
implementation; shibori; batik; fabric motif; Indonesia

Article Metrics:

  1. Gartha, Benny. (2013). Panduan Pembuatan Kain Ikat Celup Bagi Pemula. Jakarta: Museum Tekstil.
  2. Juniati, Ninik dan Listyo Yuwanto. (2018). “Pemanfaatan Seni Shibori Sebagai Alternatif Psychological Health Behavioral Health dalam Psychological First Aid Penyintas Bencana”. Seminar Nasional Peranan Ilmu Psikologi Dalam Penanggulangan Bencana. Surabaya: Fakultas Psikologi Universitas Surabaya.
  3. Kautsar, Dinda Siti. (2017). “Eksplorasi Teknik Shibori Pada Pakaian Ready to Wear”. E-Poceeding of Art & Design. Vol 4. No. 3. Hlm. 905-920.
  4. Maziyah, Siti. (2014). “Batik as an Indonesian national Identity”. International Seminar Proceeding “Strengthening National Identity through Language, Literature, and History”. Semarang: Faculty of Humanities Diponegoro University and Faculty of Education and human Development Nagoya University Japan.
  5. Maziyah, Siti, Mahirta, & Atmosudiro. (2016). “Makna Simbolis Batik Pada Masyarakat Jawa Kuna”. Paramita. Vol. 26. No. 1. Hlm. 23-32. https://journal.unnes.ac.id/nju/index.php/paramita/article/5143
  6. Maziyah, Siti, (2017a). “Fungsi Kain Impor di Jawa Pada Abad Ke-9 - ke-15 Berdasar Sumber Arkeologis”. Studen Weekly. Yogyakarta: Fakultas Ilmu Budaya Universitas Gadjah Mada.
  7. -------. (2017b). “Imports Fabric at Java in 12th-14th Centuries: Impacts of Maritime Trade Route in Southeast Asia”. Advanced Science Letters. Vol. 23. No. 10. Hlm. 10057-10060.
  8. -------.(2019). “Teknik Pembuatan dan Fungsi Kain Pada Masyarakat Jawa Kuna Abad ke-9 hingga abad ke-15 Berdasar Data Arkeologi”. Disertasi. Yogyakarta: Fakultas Ilmu Budaya Universitas Gadjah Mada.
  9. Maziyah, Siti, Indrahti, Sri, Alamsyah (2019). “Upaya Pemberdayaan Perempuan Melalui Pelatihan Pembuatan Jumputan dan Shibori Pada Ibu-Ibu GOW Kabupaten Demak”. Laporan Pengabdian Kepada Masyarakat. Semarang: Fakultas Ilmu Budaya Universitas Diponegoro.
  10. Suantara, Oktaviani, dan Siregar, (2017). “Eksplorasi Teknik Shibori Dalam Pengembangan Desain Motif Tradisional Indonesia Pada Permukaan Kain Sandang”. Arena Tekstil. Vol. 32. No. 2. Hlm. 67-76.