Analisis Penggunaan Majas pada Lirik Lagu Karya Yuika

Lispridona Diner; Fatih Almas Aprena; Naufal Arya Pambajeng; Muhammad Dimas Seiya Nugroho; M. Fadlur Resi

doi:10.14710/kiryoku.v8i2.463-473

DOI: https://doi.org/10.14710/kiryoku.v8i2.463-473

Analisis Penggunaan Majas pada Lirik Lagu Karya Yuika

*Lispridona Diner

- Universitas Negeri Semarang, Indonesia

Fatih Almas Aprena - Universitas Negeri Semarang, Indonesia

Naufal Arya Pambajeng - Universitas Negeri Semarang, Indonesia

Muhammad Dimas Seiya Nugroho - Universitas Negeri Semarang, Indonesia

M. Fadlur Resi - Universitas Negeri Semarang, Indonesia

Citation Format:

Abstract

This article discusses the figures of speech and analyzes the meaning contained in the songs made by Yuika. The purpose of the research is to find out the types of figures and the meaning from the lyrics of Yuika’s songs. This research uses Shigeko Inagaki book “Nihon no Kakikata Retorikku” as its base. The object of this research is four songs in Yuika’s discography. Data collection used listening and note-taking techniques. The analysis method used descriptive method. The results found a total of 18 data. Only four types of figures of speech (Tochihou, Zenshouhou, Tsuikohou, Hanpukuhou) is found. Chokuyuhou and Hangohou were not found in this study. In addition, this study uses association in determining the meaning of the lyrics.

Fulltext View|Download

Keywords: Japanese; Figure of Speech; Songs; Yuika

Article Metrics:

Article Info

Section: Articles

Language : EN

In Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan

Recent articles

Makna Tradisi Hatsumoude (初詣) Menurut Kepercayaan Shinto di Jepang Wanope Ikuji: Analisis Peran Tradisional Dan Konflik Patriarki Dalam Masyarakat Jepang Persepsi Mahasiswa Terhadap Penggunaan Fitur Foto Dalam Google Translate Untuk Pembelajaran Bahasa Jepang: Case Study More recent articles

Most cited articles

Verba Kompon Hajimeru, Dasu, Dan Kakeru Sebagai Penanda Aspek Inkoatif Bahasa Jepang More cited articles

Aminuddin. (2015). Semantik Pengantar Studi Tentang Makna
Evans, N., & Levinson, S. (2009). The Myth of Language Universals: Language Diversity and Its Importance for Cognitive Science
Handayanti, D., Rahayu, N., & Aibonotika, A. (2013). Analisis Terjemahan Makna Majas Metonomia pada Lagu Jepang
Indryani, D. (2011). Analisis Penggunaan Gaya Bahasa Dalam Novelet Kappa Karya Ryunosuke Akutagawa
Keraf, G. (2007). Diksi dan Gaya Bahasa. PT. Gramedia Pustaka Utama
Minderop, A. (2016). Psikologi Sastra: Karya Sastra, Metode, Teori, dan Contoh Kasus. Yayasan Pustaka Obor Indonesia
Mudjiati, N. H., & Yuana, C. (2020). ANALISIS GAYA BAHASA LIRIK LAGU ITSUWA MAYUMI PADA ALBUM “MAYUMI THE BEST KOKORO NO TOMO.” mezurashii, 2(2). https://doi.org/10.30996/mezurashii.v2i2.4300
Muhammad. (2011). Paradigma Kualitiatif Penelitian Bahasa
Nurhadi, D. (2010). Kontribusi Pemahaman Budaya Dalam Penafsiran Majas Metafora Bahasa Jepang
Shinmura, I. (1992). Koujien: Vol. aed. Kabukishiki Gaisha
Temperley, M. S. (1958). Transformations in ENGLISH SENTENCE PATTERNS
Tiana, R. M., Pratiwi, P. D. W., & Hastuti, I. W. (2020). ANALISIS MAKNA METAFORA DALAM LIRIK LAGU “IGNITE.” Jurnal Pendidikan Bahasa Jepang Undiksha, 6(2), 218. https://doi.org/10.23887/jpbj.v6i2.25728
Triwulandari, D., Sudjianto, S., & Sutjiati, N. (2016). ANALISIS MAJAS HIPERBOLA PADA LAGU JEPANG (STUDI DESKRIPTIF TERHADAP LAGU JEPANG PADA ALBUM HERO). JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang, 1(1), 55. https://doi.org/10.17509/japanedu.v1i1.2651
Wellek, R., & Warren, A. (2016). Teori Kesusatraan. Gramedia
Wilian, D., & Andari, N. (2020). DIKSI DAN GAYA BAHASA LIRIK LAGU JEPANG KARYA TOUYAMA MIREI. mezurashii, 2(1). https://doi.org/10.30996/mezurashii.v2i1.3558

Last update:

No citation recorded.

Last update: 2024-11-20 11:28:53

No citation recorded.

Copyright Notice

Starting from 2017, the author(s) whose article is published in the Kiryoku journal attain the copyright for their article and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting the manuscript to Kiryoku, the author(s) agree with this policy. No special document approval is required.

The author(s) guarantee that:

their article is original, written by the mentioned author(s),
has never been published before,
does not contain statements that violate the law, and
does not violate the rights of others, is subject to copyright held exclusively by the author(s), is free from the rights of third parties, and the necessary written permission to quote from other sources has been obtained by the author(s).

The author(s) retain all rights to the published work, such as (but not limited to) the following rights:

Copyright and other proprietary rights related to the article, such as patents,
The right to use the substance of the article in its own future works, including lectures and books,
The right to reproduce the article for its own purposes,
The right to archive all versions of the article in any repository, and
The right to enter into separate additional contractual arrangements for the non-exclusive distribution of published versions of the article (for example, posting them to institutional repositories or publishing them in a book), acknowledging its initial publication in this journal (Kiryoku: Jurnal Studi Kejepangan).

Suppose the article was prepared jointly by more than one author. Each author submitting the manuscript warrants that all co-authors have given their permission to agree to copyright and license notices (agreements) on their behalf and notify co-authors of the terms of this policy. Kiryoku will not be held responsible for anything arising because of the writer's internal dispute. Kiryoku will only communicate with correspondence authors.

Authors should also understand that their articles (and any additional files, including data sets and analysis/computation data) will become publicly available once published. The license of published articles (and additional data) will be governed by a Creative Commons Attribution-ShareAlike 4.0 International License. Kiryoku allows users to copy, distribute, display and perform work under license. Users need to attribute the author(s) and Kiryoku to distribute works in journals and other publication media. Unless otherwise stated, the author(s) is a public entity as soon as the article is published.