Ekspresi Perasaan Cinta Tokoh Utama dalam Drama Love Is Phantom

Andi Nurnisa Rofifah Akram; Fithyani Anwar

doi:10.14710/kiryoku.v9i2.372-385

DOI: https://doi.org/10.14710/kiryoku.v9i2.372-385

Ekspresi Perasaan Cinta Tokoh Utama dalam Drama Love Is Phantom

Andi Nurnisa Rofifah Akram , Fithyani Anwar

Universitas Hasanuddin, Indonesia

Citation Format:

Abstract

This research aims to analyze the love languages portrayed by the main characters in the drama "Love is Phantom" based on Gary Chapman's The Five Love Languages theory. The study employs a qualitative descriptive method with a structural approach to explore the meaning behind the main characters' interactions. Data was collected through observation and note-taking of dialogues, narratives, and scenes in the drama that demonstrate expressions of the five love languages. The findings reveal that all five love languages are present in the drama, with physical touch being the most frequently used. The male protagonist Hase Kei's primary love language is physical touch, while the female protagonist Hirasawa Momoko predominantly expresses acts of service. Despite having different primary love languages, the relationship between the two characters remains harmonious as they also utilize secondary love languages to meet their partner's needs—Kei employs words of affirmation, and Momoko uses physical touch. The research concludes that understanding a partner's love language contributes significantly to relationship harmony.

Note: This article has supplementary file(s).

Fulltext View|Download | CTPA

CTPA_JurnalLoveisPhantom

Subject	Penambahan Dokumen CTPA
Type	CTPA
	Download (6MB) Indexing metadata

Keywords: Five Love Languages; Love Theory; Love is Phantom

Article Metrics:

Article Info

Section: Articles

Language : ID

In Vol 9, No 2 (2025): Kiryoku: Jurnal Studi Kejepangan (In progress)

Recent articles

Proses Individuasi Diri Tokoh Otosaka Yuu Dalam Anime “Charlotte”: Psikoanalisis Carl Gustav Jung Ekspresi Perasaan Cinta Tokoh Utama dalam Drama Love Is Phantom Analisis Makna konotatif dan Budaya Jepang: “Iblis” dalam Kanji Ber-Bushu Oni More recent articles

Most cited articles

Verba Kompon Hajimeru, Dasu, Dan Kakeru Sebagai Penanda Aspek Inkoatif Bahasa Jepang More cited articles

Al-Ma’ruf, A. I., & Nugrahani, F. (2017). Pengkajian Sastra: Teori dan Aplikasi. AE Media Grafika
Ariyanto, N. I., & Santoso, B. (2024). Sewa Pacar Sebagai Bentuk Aktualisasi Diri Pada Tokoh Kinoshita Kazuya Dalam Video Channel YouTube Muse Indonesia Berjudul “Pacar Sewaan” Episode 2. KIRYOKU, 8(1), 91–102. https://doi.org/10.14710/kiryoku.v8i1.91-102
Chapman, G. (2004). The 5 Love Languages: The Secret to Love That Lasts. Northfield
Contu, F., Kruglanski, A. W., Ellenberg, M., Yu, H., Lemay, E. P., & Pierro, A. (2025). Romantic Relationships as a Source of Significance. European Journal of Social Psychology, 55(1), 17–36. https://doi.org/10.1002/ejsp.3112
Daniela, L., & Faoth, F. P. (2021). The Portrayal of Daphne Brigerton’s Love Language: Semiotic Analysis in Bridgerton Series. International Journal of Literature and Language Studies (IJLLS), 1(1)
Darmurtika, L. A., Mus, A. H., Lamusiah, S., Bilal, A. I., Muhardini, S., Rezkillah, I. I., & Niswariyana, A. K. (2024). Teori Cinta Sigmund Freud dalam Kumpulan Cerpen Sebuah Pertanyaan untuk Cinta. Jurnal Pendidikan Dan Pembelajaran Indonesia (JPPI), 4(1), 60–71. https://doi.org/10.53299/jppi.v4i1.391
DeVito, J. A. (2016). The Interpersonal Communication Book (Fourteenth Edition). Pearson Education
Garciano, S. G., Cuevas, G. C., Geraldizo-Pabriga, M. G., Macabodbod, S. J. J., Yu, J. M. B., & Pinote, Ma. J. A. (2023). Romance-Themed Novels: Influenced on Relationship Satisfaction. International Journal of Literature Studies, 3(3), 35–48. https://doi.org/10.32996/ijts.2023.3.3.5
Kartikasari, A., & Suprapto, E. (2018). Kajian Kesusastraan. AE Media Grafika
Liztiawati, T., & Nurhayati, N. (2021). The Representation of the Concept of Love in English Children and Adult Song Lyrics Based on Transitivity. Culturalistics: Journal of Cultural, Literary, and Linguistic Studies, 5(2), 10–17. https://doi.org/10.14710/culturalistics.v5i2.12475
Loinar, C., el Risman, Y., & Kasmawati. (2024). Analysis of the Novel Tenki No Ko (天気の子) by Shinkai Makoto Through Robert J. Sternberg’s Love Theory. Talenta Conference Series: Local Wisdom, Social, and Arts (LWSA), 7(3)
Moleong, L. J. (2019). Metodologi Penelitian Kualitatif (Edisi Revisi). PT. Remaja Rosda Karya (2nd ed)
Nurgiyantoro, B. (2018). Teori Pengkajian Fiksi. Yogyakarta: UGM Press
Sugiarti, Andalas, E. F., & Setiawan, A. (2020). Desain Penelitian Kualitatif Sastra. UMM Press
Sulistiyo, A. W. (2018). Analisis Konflik Tokoh Utama Dalam Drama Jepang Watashi Ni Koi Shita Ikemen Sugiru Obousan (Kajian Psikologi Sastra Terhadap Teks Drama). http://repository.untag-sby.ac.id/311/
Yulistya, S., & Kartiningsih, R. (2024). Word Affirmation of Chapman’s Love Languages in Bruno Mars Just the Way You are. JELL: Journal of English on Language and Literature, 2(1), 42–49

Last update:

No citation recorded.

Last update: 2025-05-30 20:05:10

No citation recorded.

Copyright Notice

Starting from 2017, the author(s) whose article is published in the Kiryoku journal attain the copyright for their article and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting the manuscript to Kiryoku, the author(s) agree with this policy. No special document approval is required.

The author(s) guarantee that:

their article is original, written by the mentioned author(s),
has never been published before,
does not contain statements that violate the law, and
does not violate the rights of others, is subject to copyright held exclusively by the author(s), is free from the rights of third parties, and the necessary written permission to quote from other sources has been obtained by the author(s).

The author(s) retain all rights to the published work, such as (but not limited to) the following rights:

Copyright and other proprietary rights related to the article, such as patents,
The right to use the substance of the article in its own future works, including lectures and books,
The right to reproduce the article for its own purposes,
The right to archive all versions of the article in any repository, and
The right to enter into separate additional contractual arrangements for the non-exclusive distribution of published versions of the article (for example, posting them to institutional repositories or publishing them in a book), acknowledging its initial publication in this journal (Kiryoku: Jurnal Studi Kejepangan).

Suppose the article was prepared jointly by more than one author. Each author submitting the manuscript warrants that all co-authors have given their permission to agree to copyright and license notices (agreements) on their behalf and notify co-authors of the terms of this policy. Kiryoku will not be held responsible for anything arising because of the writer's internal dispute. Kiryoku will only communicate with correspondence authors.

Authors should also understand that their articles (and any additional files, including data sets and analysis/computation data) will become publicly available once published. The license of published articles (and additional data) will be governed by a Creative Commons Attribution-ShareAlike 4.0 International License. Kiryoku allows users to copy, distribute, display and perform work under license. Users need to attribute the author(s) and Kiryoku to distribute works in journals and other publication media. Unless otherwise stated, the author(s) is a public entity as soon as the article is published.

Notes for Usage of Generative AI in Scientific Writing

The following guidance refers only to the writing process, and not to the use of AI tools to analyse and draw insights from data as part of the research process:

Generative AI and AI-assisted technologies should only be used in the writing process to improve the readability and language of the manuscript.
The technology must be applied with human oversight and control and authors should carefully review and edit the result, as AI can generate authoritative-sounding output that can be incorrect, incomplete or biased.
Authors are ultimately responsible and accountable for the contents of the work.
Authors must not list or cite AI and AI-assisted technologies as an author or co-author on the manuscript since authorship implies responsibilities and tasks that can only be attributed to and performed by humans.
The use of generative AI and AI-assisted technologies in scientific writing must be declared by adding a statement at the end of the manuscript when the paper is first submitted.
We do not permit the use of Generative AI or AI-assisted tools to create or alter images in submitted manuscripts.
The use of generative AI or AI-assisted tools in the production of artwork such as for graphical abstracts is not permitted. The use of generative AI in the production of cover art may in some cases be allowed, if the author obtains prior permission from the journal editor and publisher, can demonstrate that all necessary rights have been cleared for the use of the relevant material, and ensures that there is correct content attribution.