Kajian Budaya dan Media, Universitas Gadjah Mada, Indonesia
BibTex Citation Data :
@article{SABDA21581, author = {Devi Muthia Sayekti}, title = {MENJADI BINTANG ATAU BINATANG Analisis Wacana “Othering” dalam Film “The Greatest Showman”}, journal = {Sabda: Jurnal Kajian Kebudayaan}, volume = {13}, number = {2}, year = {2018}, keywords = {The Greatest Showman; Critical Discourse Analysis; Film Studies; Othering Discourse; Norman Fairclough}, abstract = { This paper is aimed to analyse critically towards a film entitled “The Greatest Showman” related to its content which is problematic in its way to represent those “unique” persons. This film is created based on true story about P. T. Barnum, a politician and a business man in performing arts production. As a text in the cultural studies, this movie brings a discourse that can show how the reality is, especially in the field of entertainment and performing arts business. People considered as a “unique,” or maybe “weird,” always be narrated as the other, beyond the normal. They will be shown as an object to be laughed. From this point, I employed critical discourse analysis from Norman Fairclough, concerning in language used within this movie. We, then, would see how those “unique” persons will be placed as the other in very subtile way. }, issn = {2549-1628}, pages = {100--109} doi = {10.14710/sabda.13.2.100-109}, url = {https://ejournal.undip.ac.id/index.php/sabda/article/view/21581} }
Refworks Citation Data :
This paper is aimed to analyse critically towards a film entitled “The Greatest Showman” related to its content which is problematic in its way to represent those “unique” persons. This film is created based on true story about P. T. Barnum, a politician and a business man in performing arts production. As a text in the cultural studies, this movie brings a discourse that can show how the reality is, especially in the field of entertainment and performing arts business. People considered as a “unique,” or maybe “weird,” always be narrated as the other, beyond the normal. They will be shown as an object to be laughed. From this point, I employed critical discourse analysis from Norman Fairclough, concerning in language used within this movie. We, then, would see how those “unique” persons will be placed as the other in very subtile way.
Article Metrics:
Last update:
Last update: 2024-11-25 01:10:43
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to SABDA: Jurnal Kajian Kebudayaan and Faculty of Humanities Diponegoro University as publisher of the journal.
Copyright encompasses exclusive rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms and any other similar reproductions, as well as translations. The reproduction of any part of this journal, its storage in databases and its transmission by any form or media, such as electronic, electrostatic and mechanical copies, photocopies, recordings, magnetic media, etc. , will be allowed only with a written permission from SABDA: Jurnal Kajian Kebudayaan and Faculty of Humanities Diponegoro University.
SABDA: Jurnal Kajian Kebudayaan and Faculty of Humanities Diponegoro University and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in JTSiskom journal are sole and exclusive responsibility of their respective authors and advertisers.
View My Stats