1Program Studi Sastra Budaya, Fakultas Ilmu Budaya, Universitas Sumatera Utara, Indonesia. Jl. Tri Dharma No.9, Padang Bulan, Kec. Medan Baru, Kota Medan, Sumatera Utara 20222, Indonesia
2Alumni, Program Studi Antropologi, Universitas Al Washliyah Darussalam Banda Aceh, Rukoh, Kec. Syiah Kuala, Kota Banda Aceh, Aceh, Indonesia
BibTex Citation Data :
@article{SABDA80458, author = {Putri Nadya and Muhammad Jamil and Arie Nasution and Prayogo Prayogo and Putri Utami}, title = {Fear of Missing Out as a Reflection of Generation Z’s Participatory Culture: A Study of Slang Forms Among TikTok Users in Indonesia}, journal = {Sabda: Jurnal Kajian Kebudayaan}, volume = {21}, number = {1}, year = {2026}, keywords = {Slang, Generation Z, Fear of Missing Out, TikTok, Netnography.}, abstract = { This study examines the phenomenon of Fear of Missing Out (FoMO) as a reflection of Generation Z’s participatory culture through the use of slang on the TikTok platform in Indonesia. Theoretically, this study is grounded in the sociolinguistic perspective of Chaer and Agustina (2010), which emphasizes that language is variable according to heterogeneous social contexts. Within this framework, slang is understood as part of a dynamic sociolect and functions as a marker of group identity. The analysis employs the classification of slang forms by Allan and Burridge (2006) namely, fresh and creative, flippant, imitative, acronym, and clipping which is relevant for explaining Generation Z’s linguistic adaptations in responding to the demands of fast-paced and aesthetically driven digital communication. This study employs a qualitative netnographic approach with participatory observation of trending content from March 2024 to December 2026. Data consisting of captions, video transcripts, and comments were selected through purposive sampling based on criteria of virality, interaction intensity, and representation of slang forms until data saturation was reached. The results of the study revealed 15 instances of slang categorized into four types according to Allan and Buridge (2006): 4 instances of “fresh and creative,” 3 of “flippant,” 4 of “acronyms,” and 4 of “clippings.” The research findings also indicate that the use of slang serves not only as a communication tool but also as a performative strategy to maintain social existence amid FoMO pressures, aligning with Eckert’s (2019) perspective on language as a practice of identity negotiation in digital society. }, issn = {2549-1628}, pages = {25--49} doi = {10.14710/sabda.21.1.25-49}, url = {https://ejournal.undip.ac.id/index.php/sabda/article/view/80458} }
Refworks Citation Data :
This study examines the phenomenon of Fear of Missing Out (FoMO) as a reflection of GenerationZ’s participatory culture through the use of slang on the TikTok platform in Indonesia. Theoretically,this study is grounded in the sociolinguistic perspective of Chaer and Agustina (2010), whichemphasizes that language is variable according to heterogeneous social contexts. Within thisframework, slang is understood as part of a dynamic sociolect and functions as a marker of groupidentity. The analysis employs the classification of slang forms by Allan and Burridge (2006) namely,fresh and creative, flippant, imitative, acronym, and clipping which is relevant for explainingGeneration Z’s linguistic adaptations in responding to the demands of fast-paced and aestheticallydriven digital communication. This study employs a qualitative netnographic approach withparticipatory observation of trending content from March 2024 to December 2026. Data consisting ofcaptions, video transcripts, and comments were selected through purposive sampling based oncriteria of virality, interaction intensity, and representation of slang forms until data saturation wasreached. The results of the study revealed 15 instances of slang categorized into four types accordingto Allan and Buridge (2006): 4 instances of “fresh and creative,” 3 of “flippant,” 4 of “acronyms,”and 4 of “clippings.” The research findings also indicate that the use of slang serves not only as acommunication tool but also as a performative strategy to maintain social existence amid FoMOpressures, aligning with Eckert’s (2019) perspective on language as a practice of identity negotiationin digital society.
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