skip to main content

Citraan dan Relasi Trikotomi Dalam Lirik Lagu Ryuusei no Kakeru 『流星のカケラ』Karya GReeeeN

Japanese Language and Culture Departement, Faculty of Humanities, Diponegoro University, Indonesia


Citation Format:
Abstract

Abstract

Music is something that is universal and does not know the class of society, anyone can appreciate music even though he is not educated in the field of music. Music is used by many people as a medium to express themselves (can be in the form of ideas or values that they believe in), as well as entertainment because it contains lyrics that match the emotions that are being felt by someone, such as happy, sad, angry, nervous. , fear, jealousy, enthusiasm, ect. The objectives of this research are describing the imagery depicted in the lyrics and explaining the trichotomy relation contained in the lyrics of the song Ryuusei no Kakera by GReeeeN. Based on the results of research and discussion on the lyrics of the song Ryuusei no Kakera by GReeeeN are in the song Ryuusei no Kakera there are several types of imagery, namely 3 visual images, 1 tactile images, and 2 sensation images, consisting of feelings of love and peace.The trilogy relationships in this song are icons, indexes, and symbols. The icon in this song is monogatari or story. Then, there are two indexes found in this song. Meanwhile, the symbol used in this song is the ryuusei no kakera or meteor fragment.

 

Keywords: GreeeeN, imagery , icons, indexes,  song lyrics, symbols

 

 

Fulltext View|Download

Article Metrics:

  1. Agustya, R. (2022). GReeeeN-Ryuusei no Kakera (Lirik Terjemahan)/ Hoshi Kara Kita Anata Theme Song. HinayumeBlog. https://www.hinayume.com/2022/02/greeeen-ryuusei-no-kakera-lirik.html
  2. Fairus, Ulfah. (2018). Citraan dan Fungsi Penggunaan Gaya Bahasa dalam Lirik Lagu Album Duty Karya Ayumi Hamasaki (Kajian Stilistika). S-1 Fakultas Ilmu Budaya Undip Semarang
  3. Hamzah, A. (2010). Hubungan Antara Preferensi Musik dengan Risk Taking Behavior pada Remaja. Jakarta: Universitas Islam Negeri Syarif Hidayatullah
  4. Hermintoyo, M. (2014). Kode Bahasa dan Sastra. Semarang: Gigih Pustaka Mandiri
  5. Kpin, Ari. (2008). Musikalisasi Puisi. Yogyakarta:Hikayat
  6. Mandala, A. K. U. D. ., Dewi, P. T. ., & Dwipayanti, N. (2021). Analisis Semiotika Riffaterre dalam Lagu Sakura Karya Naotaro Moriyama. Jurnal Pendidikan Bahasa Jepang, 7(2), 139
  7. Noor, Redyanto. (2009). Pengantar Pengkajian Sastra. Semarang: FASINDO
  8. Nurgiyantoro, B. (2013). Teori Pengkajian Fiksi (Siti (ed.); 10th ed.). Jogjakarta : Gadjah Mada University Press
  9. Pradopo, Rachmat Djoko. (1995). Beberapa Teori Sastra, Metode Kritik, dan Penerapannya. Yogyakarta: Pustaka Pelajar
  10. ____________ (2017). Pengkajian Puisi (Siti (ed.); 15th ed.). Gadjah Mada University Press
  11. Siswanto, W. (2008). Pengantar Teori Sastra. Jakarta : PT Grasindo
  12. Sobur, A. (2003). Semiotika Komunikasi. Remaja. Bandung : Rosdakarya
  13. Sumardjo, Jakob dan Saini. (1997). Apresiasi Kesusastraan. Jakarta: Gramedia Pustaka Utama
  14. Waluyo, Herman J. (1995). Teori dan Apresiasi Puisi. Jakarta: Penerbit Erlangga
  15. Warren, Austin dan Rene Wellek. (2014). Teori Kesusastraan. Jakarta: Gramedia Pustaka Utama
  16. Wulandari, S., & Siregar, E. (2020). Kajian Semiotika Charles Sanders Pierce: Relasi Trikotomi (Ikon, Indeks, dan Simbol) dalam Cerpen Anak Mercusuar Karya Mashdar Zainal. Jurnal Ilmu Humaniora, 4(1), 29

Last update:

No citation recorded.

Last update:

No citation recorded.