skip to main content

Analisis Semiologi Roland Barthes pada Teks Lirik Lagu Nanatsu no Ko Karya Noguchi Ujo

1Universitas Dian Nuswantoro, Semarang, Indonesia, Indonesia

2Universitas Diponegoro, Indonesia

Received: 11 Apr 2023; Revised: 19 May 2023; Accepted: 19 Aug 2023; Available online: 19 Aug 2023; Published: 19 Aug 2023.
Open Access Copyright (c) 2023 IZUMI under http://creativecommons.org/licenses/by-sa/4.0/.

Citation Format:
Abstract

Examining literary texts, especially poetry or song lyrics, is generally always related to the problem of meaning. This is a natural thing because poetry is always conveyed in indirect language. Nevertheless, poetry research should understand more than just the meaning of poetry; more critical is how to manage understanding, imagination, and the role of the plurality of texts in uncovering its significance. This research is in line with that. Namely, it aims to examine the significance and appreciation of the lyrical text of a children's song entitled Nanatsu no Ko by Noguchi Ujo. This study uses the text semiology approach or textual narrative analysis proposed by Roland Barthes. The data analysed is the Lexia, the units of reading that comprise the entire text. The lexias have been determined and then analysed using five narrative codes: hermeneutic, proaretic, semic, symbolic, and references codes. This study also uses significance analysis (denotation and connotation) to understand the semic code and connotation of the text. The results of this study found that the significance of the text is a message of criticism about the author's disappointment with Japan's modernisation policy which abandoned the original identity of the Japanese nation. This significance is obtained through the analysis of narrative codes which show the role of plural texts, even though they are conveyed in the form of children's song lyrics, with simple and easy-to-understand diction and arrangement.

Fulltext View|Download
Keywords: Semiology; Roland Barthes; Narrative code; Noguchi Ujo; Nanatsu no Ko

Article Metrics:

  1. Abe, Namiko. 2019. “Japanese Number Seven.” Thoughtco.Com. Retrieved March 26, 2023 ( https://www.thoughtco.com/japanese-number-seven-2028033)
  2. Aminah, Shobichatul. 2015. Dinamika Kesusastraan Modern: Ambiguitas Antara Tradisi dan Modernitas
  3. Anon. 2014. “Kodomo no Kuni - NOGUCHI Ujo.” Internet Archive. Retrieved April 7, 2023 ( https://web.archive.org/web/20070703085509/http://www.kodomo.go.jp/gallery/KODOMO_WEB/authors/noguchi_e.html)
  4. Anon. n.d.-a. “Ujoo Noguchi: The Children’s Poet.” Http://Www.Willamette.Edu/. Retrieved April 7, 2023 (
  5. Anon. n.d.-b. “カラスの鳴き声には意味があった!カラスが異常に鳴く時は鳴き声の種類に注目しよう|生活110番.” Retrieved March 26, 2023 ( https://www.seikatsu110.jp/library/animal/am_pigeon/35213/)
  6. Badan Pengembangan dan Pembinaan Bahasa. 2016. “Arti Kata Mati - Kamus Besar Bahasa Indonesia (KBBI) Online.” Https://Kbbi.Web.Id. Retrieved April 7, 2023 (
  7. Barthes, Roland. 1972. Mythologies. New York: The Noonday Press
  8. Barthes, Roland. 1974. S/Z. Blackwell Publishing
  9. Barthes, Roland. 1977. “The Death of the Author.” in Image, Music, Text. New York: Hill and Wang
  10. Barthes, Roland, and Lionel Duisit. 1975. “An Introduction to the Structural Analysis of Narrative.” History 6(2):237–72
  11. Bouzida, Feyrouz. 2014. “The Semiology Analysis in Media Studies: Roland Barthes Approach.”
  12. Cuddon, J. A. 1998. A Dictionary of Literary Terms and Literary Theory. 4th ed. Blackwell
  13. Derrida, Jacques., Pascale-Anne. Brault, and Michael. Naas. 2001. The Work of Mourning. University of Chicago Press
  14. Dianiya, Vicky. 2020. “Representation of Social Class in Film (Semiotic Analysis of Roland Barthes Film Parasite).” Profetik: Jurnal Komunikasi 13(2):212–24. doi: 10.14421/PJK.V13I2.1946
  15. Farid, Zahra, and Roghayeh Rostampour Maleki. 2022. “Structural Analysis of Novel Titled ‘Love Without Resistance’ Written by Leili Itawi Based On, Roland Barthes Quintuple Mysteries.” Arabic Literature 14(2):23–42. doi: 10.22059/JALIT.2021.329664.612440
  16. Faruk, Faruk. 2012. Metode Penelitian Sastra: Sebuah Penjelajahan Awal. edited by Rh. Widada. Yogyakarta: Pustaka Pelajar
  17. Fuad, Muhammad, Nalan Meilia Sisi, Edi Suyanto, Ulul Azmi Muhammad, Yoga Fernando Rizqi, and Istiqomah Ahsanu Amala. 2022. “Analysis of Symbolic Meaning in Drama Scripts and Its Implications toward Indonesian Language Learning of High School Students.” Jurnal Pendidikan Progresif 12(3):1334–45. doi: 10.23960/jpp.v12.i3.202226
  18. Gallop, Jane. 2011. The Deaths of the Author: Reading and Writing in Time. Durham & London: Duke University Press
  19. Genova, Pamela A. 2017. “Beyond Orientalism? Roland Barthes’ Imagistic Structures of Japan.” Romance Studies 34(3–4):152–62. doi: 10.1080/02639904.2016.1268423
  20. Gunalan, Sasih, and Hasbullah Hasbullah. 2020. “Analisis Pemaknaan Semiotika pada Karya Iklan Layanan Masyarakat.” Jurnal Nawala Visual 2(2):44–51. doi: 10.35886/nawalavisual.v2i2.117
  21. Hoed, Benny H. 2011. Semiotik dan Dinamika Sosial Budaya. Jakarta: Komunitas Bambu
  22. Jordan, Alec. 2017. “The Misunderstood Crows of Tokyo: Why They Don’t Deserve Their ‘Bad Boy’ Image.” Tokyo Weekender. Retrieved March 26, 2023 (file:///D:/Artikel%20Nanatsu%20no%20ko/The%20Misunderstood%20Crows%20of%20Tokyo_%20Why%20They%20Don’t%20Deserve%20Their%20_Bad%20Boy_%20Image%20_%20Tokyo%20Life.html)
  23. Kanzunnudin, Mohammad. 2022. Analisis Semiotik Roland Barthes Pada Puisi “Ibu” Karya D. Zawawi Imron (Semiotic Analysis of Roland Barthes at ‘Ibu’ Poetry by D. Zawawi Imron). Vol. 28
  24. Kristadella, Novira Yorice. 2016. “Keterkaitan Makna dalam Tiga Lirik Lagu Anak Jepang Era 1920-an Karya Noguchi Ujo Ditinjau melalui Pendekatan Ekspresif.” Universitas Diponegoro, Semarang
  25. Maharani, Adinda, and Acep Iwan Saidi. 2021. “Representasi Visual Hedonisme Pada Film Parasite.” LayaR: Jurnal Ilmiah Seni Media Rekam 8(1):1–16
  26. Matsuura, Thersa. 2022. “Karasu: Japanese Crows, Myths and Superstitions (Ep. 113).” Uncanny Japan. Retrieved March 26, 2023 (file:///D:/Artikel%20Nanatsu%20no%20ko/Karasu_%20Japanese%20Crows,%20Myths%20and%20Superstitions%20(Ep.%20113)%20-%20Uncanny%20Japan%20Podcast.html)
  27. Moati, Raoul. 2014. Derrida / Searle: Deconstruction and Ordinary Language
  28. Naing, Kyaw Tun. 2020. “A Comparative Study of the Japanese Poems-"Soap Bubbles" and ‘Red Shoes.’” Yangon University of Foreign LanguagesResearch Journal 11(2):335–43
  29. Noviana, Fajria. 2008. “Masyarakat Pemuja Gunung Sangaku Shinko: Kepercayaan terhadap Gunung Bagi Masyarakat Jepang.” LITE: Jurnal Bahasa, Sastra, Dan Budaya 4(2):116–22. doi: 10.33633/LITE.V4I2.1341
  30. Noviana, Fajria, and Akhmad Saifudin. 2020. “Pemaknaan Lirik Lagu Shabondama Karya Ujo Noguchi Berdasarkan Analisis Semiotika Michael Riffaterre.” Japanese Research on Linguistics, Literature, and Culture 2(2):143–60. doi: https://doi.org/10.33633/jr.v2i2.3978
  31. Oyama, Rumiko. 1998. “Visual Semiotics: A Study of Images in Japanese Advertisements.” University of London
  32. Riffaterre, Michael. 1978. Semiotic of Poetry. Bloomington and London: Indiana University Press
  33. Riffaterre, Michael. 1983. Text Production. New York: Columbia University Press
  34. Siregar, Iskandarsyah. 2022. “Semiotics Analysis in The Betawi Traditional Wedding ‘Palang Pintu’: The Study of Semiotics Roland Barthes.” International Journal of Linguistics Studies 2(1):01–07. doi: 10.32996/IJLS.2022.2.1.1
  35. Sui, Yan, and Ming Fan. 2015. “Reinterpreting Some Key Concepts in Barthes Theory.” Journal of Media and Communication Studies 7(3):59–66. doi: 10.5897/JMCS2014.0412
  36. Sulatri, Ni Luh Putu Ari, and Silvia Damayanti. 2022. “Ideologi di Balik Mitos dalam Cerpen Akagaeru Karya Shimaki Kensaku: Kajian Semiologi Roland Barthes.” Jurnal SAKURA : Sastra, Bahasa, Kebudayaan Dan Pranata Jepang 4(1):92. doi: 10.24843/JS.2022.v04.i01.p08
  37. Sulistiyawati, Puri. 2018. “Analisis Semiotika Makna Pesan pada Iklan Axis Versi ‘Iritologi – Menatap Masa Depan.’” ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 2(01):88–102. doi: 10.33633/andharupa.v2i01.1066
  38. Tolonen, Juha. 2012. “Photography Degree Zero: Reflections on Roland Barthes’s Camera Lucida.” Continuum 26(2):327–30. doi: 10.1080/10304312.2010.506947
  39. Utasuki, J. n.d. “Nanatsu No Ko | Nostalgic Japanese Songs ( Autumn ) | Nostalgic Japanese Songs.” Retrieved April 7, 2023 ( https://douyo-shouka.com/nanatsu-no-ko/)

Last update:

No citation recorded.

Last update: 2024-11-20 04:17:04

No citation recorded.