skip to main content

Ekofeminisme dalam Anime Miyori no Mori Karya Nizou Yamamoto

*I Gusti Ayu Sugiartini Mahardika orcid  -  Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana, Jl. Pulau Nias, No.13, Denpasar, Indonesia 80114, Indonesia
Silvia Damayanti  -  Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana, Jl. Pulau Nias, No.13, Denpasar, Indonesia 80114, Indonesia
Ni Made Andry Anita Dewi  -  Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana, Jl. Pulau Nias, No.13, Denpasar, Indonesia 80114, Indonesia
Open Access Copyright (c) 2022 KIRYOKU under http://creativecommons.org/licenses/by-sa/4.0.

Citation Format:
Abstract

This research is entitled "Ecofeminism in The Anime Miyori no Mori by Nizou Yumamoto". The purpose of this research is to examine the efforts of women in preserving the environment in the anime Miyori no Mori by Nizou Yumamoto. The methods used in this research were the literature study method and the informal method. This research used the theory of ecofeminism and semiotic proposed by Danesi to analyze the data that has been collected. The results of this research indicates there were several efforts made by women, namely the environmental care movement in the form of loving and preserving living things, supporting forest conservation in Komori Village. Aside from that, women also participated on environmental issue and fought the capitalism party by advocated and socialized the conservation as well as stated to anticipate and refused the project of the dam construction. Women used their sensitivity to the environment a lot to strive for sustainability, which is reflected in this anime.

Fulltext View|Download
Keywords: literary ecology, ecofeminism, nature conservation

Article Metrics:

  1. Aryasa, A.M. (2017). “Pengembangan Pengelolaan Kawasan Konservasi dalam Taman Wisata Alam Telaga Warna-Telaga Pangilon Kabupaten Wonosobo”. (Tesis). Semarang: Universitas Diponegoro.Candraningrum, D. (2014). “Ketika Banteng-Banteng Tak Lagi Minum Air di Bawah Pohon Keningar: Pandangan Dunia Perempuan Lereng Gunung Merapi”. Jurnal Perempuan, 19 (1), hlm. 59-66
  2. Dirgantari, A.P. (2020). “Ekofeminisme Pada Tokoh San dalam Film Princess Mononoke Karya Sutradara Hayao Miyazaki”. Jurnal Ilmiah Seni Budaya. Volume 5(1), hlm. 1-12
  3. Endraswara, S. (2016). “Metode Penelitian Ekologi Sastra”. Jakarta: PT Buku Seru.Lawanda, I.I. (2008). “Interpenetrasi Antara Amaterasu Oomikami dan Lingkungan Jepang”. Jurnal Makara Sosial Humaniora. Volume 12(2), hlm. 57-58
  4. Ratna, N.K. (2004). “Teori, Metode, dan Teknik Penelitian Sastra”. Yogyakarta: Pustaka Pelajar
  5. Sunito, dkk (2007). “Ekofeminisme”. Bogor: Institut Pertanian Bogor
  6. Tong, R.P. (2017). “Feminist Thought”. Yogyakarta: Jalasutra
  7. Widagdo, H.H. (2012). “Relasi Alam dan Agama; Sebuah Upaya Penyelarasan antara Budaya Mistis dengan Pelestarian Lingkungan”. Jurnal Esensia, 13(2), hl. 264-266
  8. Wiyatmi, dkk. (2017). “Ekofeminisme Kritik Sastra Berwawasan Ekologis dan Feminis”. Yogyakarta: Cantrik Pustaka
  9. Wulan, T.R. (2007). “Ekofeminisme Transformatif: Alternatif Kritis MendekonstruksiRelasi Perempuan dan Lingkungan”. Jurnal Transdisiplin Sosiologi, Komunikasi, dan Ekologi Manusia, 1(1), hlm. 105
  10. Yamamoto, N. (2007). “Miyori no Mori”. Tokyo: Nippon Animation
  11. Yenrizal. (2017). “Lestarikan Bumi dengan Komunikasi Lingkungan”. Sleman: Penerbit Deepublish
  12. Zafirah dan Saraswati, T. (2016). “Ritual Penebangan Pohon di Desa Kamusari: Sebuah Gambaran Kepercayaan Shinto dalam Film Wood Job”. Jurnal Japanology, 5(1), hlm. 24-34
  13. Zed, M. (2004). “Metode Penelitian Kepustakaan”. Jakarta: Yayasan Obor Indonesia

Last update:

No citation recorded.

Last update:

No citation recorded.