Hierarki Kebutuhan Tokoh Takamiya Naho dalam Anime Orange: Kajian Psikologi Humanistik Abraham Maslow

Syahkila Zaufa; Sri Oemiati

doi:10.14710/kiryoku.v9i2.672-684

DOI: https://doi.org/10.14710/kiryoku.v9i2.672-684

Hierarki Kebutuhan Tokoh Takamiya Naho dalam Anime Orange: Kajian Psikologi Humanistik Abraham Maslow

Syahkila Zaufa , Sri Oemiati

Universitas Dian Nuswantoro, Semarang, Indonesia

Citation Format:

Abstract

This study is based on the phenomenon in the anime Orange, which depicts the psychological dynamics of the main character, Naho Takamiya, in facing life challenges and interpersonal relationships. The issue raised in this study is how Abraham Maslow's hierarchy of needs is reflected through the behaviour and dialogue of the character. This study aims to describe Abraham Maslow's humanistic psychology theory in the anime Orange. The method used is qualitative descriptive with data collection techniques conducted through observation and documentation. The data analysed consists of dialogues related to Abraham Maslow's hierarchy of needs. The results show that Naho Takamiya fulfils all five levels of needs according to Maslow’s theory: physiological needs, safety needs, love and belonging needs, esteem needs, and self-actualisation needs. This study shows that character development in fictional works can be analysed through a psychological perspective.

Fulltext View|Download

Keywords: Abraham Maslow’s Theory; Humanistic Psychology; Hierarchy of Needs; Orange Anime, Naho Takamiya’s Character

Article Metrics:

Article Info

Section: Articles

Language : ID

In Vol 9, No 2 (2025): Kiryoku: Jurnal Studi Kejepangan

Recent articles

Kesantunan dalam Pujian atas Kemampuan di Kolom Komentar Yahoo News Japan: Kajian Cyberpragmatics Evolusi Pengaruh Budaya Jepang dalam Desain dan Gaya Berpakaian di Indonesia: Kajian Sistematis Makna Metafora Ontologis dalam Genbaku Shishū Karya Tōge Sankichi: Kajian Semantik More recent articles

Most cited articles

Verba Kompon Hajimeru, Dasu, Dan Kakeru Sebagai Penanda Aspek Inkoatif Bahasa Jepang More cited articles

Alwisol. (2012). PSIKOLOGI KEPRIBADIAN EDISI REVISI. Malang: Penerbit UMM Press
Apriliani, A., Oemiati, S., & Furisari, P. (2023). Hierarki Kebutuhan Tokoh Sou Sakura Dalam Drama Silent Psikoanalisis Abraham Maslow. Prosiding Seminar Nasional Linguistik Dan Sastra, 155–163
Asmaya, S., & Najid, D. M. (2018). Kebutuhan Bertingkat Tokoh Fajar Dalam Novel Kabut Kota Karya Ichsan Saif (Kajian Psikologi Humanistik Abraham Maslow). Journal of Chemical Information and Modeling, 5(2), 1–10
Falikha, S., & Oemiati, S. (2024). Hierarki Kebutuhan Tokoh Handa Seishuu Dalam Live Action Anime “ Barakamon ”: Psikoanalisis Abraham Maslow. Kiryoku, 8(2), 532–543. https://doi.org/10.14710/kiryoku.v8i2.532-543
Febrianty, F. (2016). Representasi Samurai Sebagai Kelas Atas Dalam Stratifikasi Sosial Masyarakat Jepang Di Zaman Edo Dalam Novel Tokaido Innkarya Dorothy Dan Thomas Hoobler. Majalah Ilmiah UNIKOM, 14(1), 29–40. https://doi.org/10.34010/miu.v14i1.175
Ghaleb, B. D. S. (2024). Towards A Dynamic Model of Human Needs: A Critical Analysis of Maslow’s Hierarchy. International Journal of Multidisciplinary Approach Research and Science, 2(3), 1028–1046. https://doi.org/10.59653/ijmars.v2i03.674
Indriani, E. F., & Santoso, B. (2024). Perwujudan Konsep On Pada Tokoh Frieren dan Heiter Dalam Anime Sousou No Frieren Karya Kanehito Yamada. Kiryoku, 8(2), 268–279. https://doi.org/10.14710/kiryoku.v8i2.268-279
Jayanti, F., Suratisna, & Permanasari, D. (2022). Kemampuan menulis puisi modern dengan menggunakan media musik pada siswa kelas X SMA Negeri 2 Gedong Tataan. Skripsi
Maulana, D. Y. D. (2017). ANALISIS KEPRIBADIAN TOKOH YUKI DAN AME DALAM ANIME OOKAMI KODOMO NO AME TO YUKI KARYA MAMORU HOSODA KAJIAN PSIKOLOGI SASTRA 細田守が制作したアニメ「おおかみこどもの雨と雪」の雨と雪という登場人物の性格分析：心理文芸研究. Skripsi
Maslow, A. H. (1984) MOTIVASI DAN KEPRIBADIAN. Jakarta: PT. PUSTAKA BINAMAN PRESSINDO
Rahmawati, N. (2018). Aspek Hierarki Kebutuhan Bertingkat Tokoh Utama Dalam Novel Vegetarian Karya Han Kang: Kajian Teori Psikologi Humanistik Abraham Maslow. Jurnal Sapala, 5(2), 1-7
Rifandi, A. N., & Arianingsih, A. (2022). Proses Aktualisasi Diri Tokoh Tabata Kaede Dalam Novel Aokute, Itakute, Moroi Karya Sumino Yoru. MAHADAYA: Jurnal Bahasa, Sastra, Dan Budaya, 2(2), 197–206. https://doi.org/10.34010/mhd.v2i2.8263
Rostanawa, G. (2018). Hirarki Kebutuhan Tokoh Utama dalam Novel Pulang dan Laut Bercerita Karya Leila S. Chudori (Kajian Psikologi Humanistik Abraham Maslow). ELite Journal: International Journal of Education, Language, and Literature, 1(2), 58–67. https://doi.org/10.26740/elitejournal.v1n2.p%25p
Sandi, S. (2021). Pemanfaatan Film Animasi Sebagai Media Pembelajaran Anak Berbasis Flashmx. Jurnal Komunikasi, 12(2), 144–151. https://doi.org/10.31294/jkom.v12i2.11239
Serafine, N. A., Mugiyanti, & Hapsari, P. W. (2024). Analisis Hierarki Kebutuhan Tokoh Miyori Dalam Anime Miyori No Mori. Idea Sastra Jepang, 6(1), 52–60. https://doi.org/10.33751/idea.v6i1.9913
Shahara, A. N., Kinanti, R., & Kurniwan, E. D. (2024). Analisis Kebutuhan Hierarki Abraham Maslow Terhadap Tokoh Rebecca Pada Novel Dear Nathan-Hello Salma Karya Erisca Febriani. Morfologi: Jurnal Ilmu Pendidikan, Bahasa, Sastra Dan Budaya, 2(1), 229–242. https://doi.org/10.61132/morfologi.v2i1.312
Widianingsih, N. K. P., Andriyani, A. A. A. D., & Aritonang, B. D. (2023). Kepribadian Tokoh Umine Zenko Pada Drama Sora Wo Kakeru Yodaka. Janaru Saja: Jurnal Program Studi Sastra Jepang, 12(1), 23–36. https://doi.org/10.34010/js.v12i1.6723

Last update:

No citation recorded.

Last update: 2025-11-29 07:41:36

No citation recorded.

Copyright Notice

Starting from 2017, the author(s) whose article is published in the Kiryoku journal attain the copyright for their article and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting the manuscript to Kiryoku, the author(s) agree with this policy. No special document approval is required.

The author(s) guarantee that:

their article is original, written by the mentioned author(s),
has never been published before,
does not contain statements that violate the law, and
does not violate the rights of others, is subject to copyright held exclusively by the author(s), is free from the rights of third parties, and the necessary written permission to quote from other sources has been obtained by the author(s).

The author(s) retain all rights to the published work, such as the following rights:

Copyright and other proprietary rights related to the article, such as patents,
The right to use the substance of the article in its own future works, including lectures and books,
The right to reproduce the article for its own purposes,
The right to archive all versions of the article in any repository, and
The right to enter into separate additional contractual arrangements for the non-exclusive distribution of published versions of the article (for example, posting them to institutional repositories or publishing them in a book), acknowledging its initial publication in this journal (Kiryoku: Jurnal Studi Kejepangan).

Suppose the article was prepared jointly by more than one author. Each author submitting the manuscript warrants that all co-authors have given their permission to agree to copyright and license notices (agreements) on their behalf and notify co-authors of the terms of this policy. Kiryoku will not be held responsible for anything arising because of the writer's internal dispute. Kiryoku will only communicate with correspondence authors.

Authors should also understand that their articles (and any additional files, including data sets and analysis/computation data) will become publicly available once published. The license of published articles (and additional data) will be governed by a Creative Commons Attribution-ShareAlike 4.0 International License. Kiryoku allows users to copy, distribute, display and perform work under license. Users need to attribute the author(s) and Kiryoku to distribute works in journals and other publication media. Unless otherwise stated, the author(s) is a public entity as soon as the article is published.

Notes for Usage of Generative AI in Scientific Writing

The following guidance refers only to the writing process, and not to the use of AI tools to analyse and draw insights from data as part of the research process:

Generative AI and AI-assisted technologies should only be used in the writing process to improve the readability and language of the manuscript.
The technology must be applied with human oversight and control and authors should carefully review and edit the result, as AI can generate authoritative-sounding output that can be incorrect, incomplete or biased.
Authors are ultimately responsible and accountable for the contents of the work.
Authors must not list or cite AI and AI-assisted technologies as an author or co-author on the manuscript since authorship implies responsibilities and tasks that can only be attributed to and performed by humans.
The use of generative AI and AI-assisted technologies in scientific writing must be declared by adding a statement at the end of the manuscript when the paper is first submitted.
We do not permit the use of Generative AI or AI-assisted tools to create or alter images in submitted manuscripts.
The use of generative AI or AI-assisted tools in the production of artwork such as for graphical abstracts is not permitted. The use of generative AI in the production of cover art may in some cases be allowed, if the author obtains prior permission from the journal editor and publisher, can demonstrate that all necessary rights have been cleared for the use of the relevant material, and ensures that there is correct content attribution.