DOI: https://doi.org/10.14710/sabda.15.2.%25p

Getir Kehidupan Idola di Jepang dalam Trilogi “Sarishinohara” Karya Mikito-P

Universitas Diponegoro, Indonesia

Published: 25 Dec 2020.
Editor(s): Yuniardi Fadilah

Citation Format:
Abstract
This research examines the representation of idol life in Mikito-P’s “Sarishinohara” song trilogy whose titles consist of “Sarishinohara”, “Yonjuunana”, and “Akaito” using the Roland Barthes semiotic model theory. The purpose of this study is to determine the physical structure and inner structure of the song lyrics of the “Sarishinohara” trilogy, then analyze the denotation, connotation, and myth contained in the music video according to the Roland Barthes semiotic model. The research method uses qualitative research methods or is written in descriptive form. Based on the results of data analysis, it is known that the negative side of idol life in Japan is in the form of mental pressure experienced by idols, limitations in relationships, and negative public behavior towards idols
Fulltext View|Download
Keywords: Roland Barthes, semiotic, representation, song, music video, idol

Article Metrics:

Article Info
Section: Articles
Language : ID
Recent articles
Getir Kehidupan Idola di Jepang dalam Trilogi “Sarishinohara” Karya Mikito-P Makhluk Nyata Dunia Maya: Fenomena Alienasi Diri Para Non-Biner sebagai Dampak Ketaksaan Gender Bentuk Kehilangan dan Tahap Berduka dalam Novel Lost Karya Rizal Afif dan Nia Janiar More recent articles
Most cited articles
BAHASA DAN IDENTITAS BUDAYA KOMUNITAS MASYARAKAT PESISIR DI TAMBAK LOROK, SEMARANG PEREMPUAN DALAM PERSPEKTIF KEBUDAYAAN NILAI-NILAI KARAKTER DALAM PEMBELAJARAN APRESIASI SENI BERBASIS MULTIKULTURAL PENGELOLAAN SUMBERDAYA PESISIR BERBASIS MASYARAKAT (PBM) MELALUI AWIG-AWIG DI LOMBOK TIMUR DAN SASI DI MALUKU TENGAH More cited articles
  1. Aoyagi, Hiroshi. (2005). Islands of Eight Million Smiles: Idol Performances and Symbolic Production in Contemporary Japan. Cambridge: Harvard University Asian Center
  2. Aoyagi, Hiroshi. (2013). Idols and Celebrity in Japanese Media Culture, edited by Patrick W. Galbraith and Jason G. Karlin. Hampshire: Palgrave Macmillan. Social Science Japan Journal, Volume 16, Issue 2, Summer 2013. https://doi.org/10.1093/ssjj/jyt022
  3. Barthes, Roland. (1983). Mhythologies. New York: Hill and Wang
  4. Danesi, Marcel. (2004). Pesan, Tanda, dan Makna: Buku Teks Besar Mengenai Semiotika dan Teori Komunikasi. Yogyakarta: Jalasutra
  5. Holden, T.J.M., & Hakan Ergül. (2006). Japan’s Televisual Discourses. Infotainment, Intimacy, and the Construction of a Collective Uchi, edited by T.J.M. Holden and Timothy J. Scrase. Medi@sia: Global Media/tion in and out of Context, 105–127. London: Routledge
  6. Kimura, Tatsuya. (2007). History of Japanese Idols: From the Silver Screen to the Internet Via the Living
  7. Mikito-P, & CHRIS. (2017). Sarishinohara. Jakarta: Elex Media Komputindo
  8. Nakamori, Akio. (2007). Aidoru Nippon. Tokyo: Shinchōsha
  9. Pradopo, Rachmat Djoko. (2014). Pengkajian Puisi. Yogyakarta: Gadjah Mada University Press
  10. de Saussure, Ferdinand. (1993). Pengantar Linguistik Umum. Yogyakarta: Gadjah Mada University Press.
  11. Teeuw, A. (1983). Membaca dan Menilai Sastra. Jakarta: Gramedia Pustaka Utama
  12. Widada, Rh. (2009). Saussure untuk Sastra: Sebuah Metode Kritik Sastra Struktural. Yogyakarta: Jalasutra

Last update:

No citation recorded.

Last update: 2024-05-18 23:40:46

No citation recorded.