Penggunaan Kandoushi Kandou pada Kanal Youtube Naka Riisa Desu (Kajian Sosiolinguistik)

Amalia Muflih Lia; Yuni Masrokhah Yuni

doi:10.14710/kiryoku.v8i2.1-10

DOI: https://doi.org/10.14710/kiryoku.v8i2.1-10

Penggunaan Kandoushi Kandou pada Kanal Youtube Naka Riisa Desu (Kajian Sosiolinguistik)

*Amalia Muflih Lia - Jurusan Pendidikan Bahasa Jepang, UHAMKA, Jakarta, Indonesia, Indonesia

Yuni Masrokhah Yuni - Jurusan Pendidikan Bahasa Jepang, UHAMKA, Jakarta, Indonesia, Indonesia

Citation Format:

Abstract

Kandoushi kandou merupakan ekspresi emosi atau kesan seperti bahagia, mengagumkan, terkejut, dan lain-lain dari pembicara. Tujuan dari penelitian ini adalah untuk mengetahui fungsi dan penggunaan kandoushi Kandou yang terdapat pada channel YouTube Naka Riisa Desu berdasarkan konteks situasi penutur sebagai kajian sosiolinguistik. Penelitian ini menggunakan metode deskriptif kualitatif dan pengumpulan data dilakukan dengan teknik katat. Data dari penelitian ini menunjukkan bahwa penggunaan kandoushi kandou di channel YouTube Naka Riisa Desu tahun 2020-2022 menggunakan teori Terada Takanao terdapat 50 data. Dari 50 data yang dikumpulkan, terdapat 6 jenis kandoushi kandou yang sering muncul dengan frekuensi berbeda. Frekuensi kumulatif setiap kandoushi kandou adalah: kandoushiえ(e) muncul 24; kandoushiええ(ee) muncul 17; kandoushiまあ(maa) muncul 2; kandoushiほら(hora) muncul 3; kandoushiいや(ya) muncul 2 kali; kandoushiなに(nani) muncul 2. Yang paling sering digunakan adalah kandoushi Kandou dalam bentuk kejutan seperti "e", dan "ee" ini menggambarkan bahwa orang lebih sering menggunakan kandoushi ketika mereka terkejut dan dalam situasi yang tidak terduga.

Fulltext View|Download

Keywords: kandoushi; kandou; sosiolinguistik; youtube

Article Metrics:

Article Info

Section: Articles

Language : ID

In Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan

Recent articles

Analisis Penggunaan Kandoushi Dalam Game Genshin Impact Representasi Hatarakisugi pada Tokoh Aoyama Takashi dalam Film Chotto Ima Kara Shigoto Yamete Kuru karya Izuru Narushima Taktik Utama Kepribadian Covert Aggressive pada Tokoh Prospera Mercury (プロスペラ・マーキュリー) dalam Anime Kidou Senshi Gundam: Suisei no Majo More recent articles

Most cited articles

Verba Kompon Hajimeru, Dasu, Dan Kakeru Sebagai Penanda Aspek Inkoatif Bahasa Jepang More cited articles

Anggi Siska Hariyana. (2019). PENGGUNAAN INTERJEKSI (KANDOUSHI) DALAM WEBTOON BITAASUITO NA JINSEI. Jurnal Program Studi Sastra Jepang, 8(November), 10–19
Dariasri, P. D., Masrokhah, Y., & ... (2019). Analisis Penggunaan Kandoushi Dalam Tindak Tutur Pada Komik Gekkan Shoujo Nozaki-Kun Volume 5 Dan 6 Karya Izumi Tsubaki. Prosiding Seminar …, 5, 617–628. https://proceedings.uhamka.ac.id/index.php/semnas/article/view/216%0Ahttps://proceedings.uhamka.ac.id/index.php/semnas/article/download/216/192
Gamis Kurniawan, H. Z. (2021). ANALISIS PENGGUNAAN KANDOUSHI OUTOU DALAM KOMIK NARUTO VOLUME I Gamis. Omiyage, 4(2), 198–208
Nur, N., Fauzah, R., Hidayati, Y., & Gunawan, T. K. (2022). KANDOUSHI PADA ANIME SHINGEKI NO KYOJIN : THE FINAL SEASON ( 2020 ) ( KAJIAN SEMANTIK ). Journal Homepage, 11(2). https://doi.org/10.31571/bahasa.v11i2.4560
Rianita Kurniawati, Komara Mulya, & Cut Erra Rismorlita. (2020). Analisis Pragmatik Terhadap Penggunaan Interjeksi Penanda Impresi Terkejut Dalam Komik Detektif Conan Karya Aoyama Gōshō. Jurnal Kagami, 11(1), 90–111. http://journal.unj.ac.id/unj/index.php/kagami/article/view/17302
Rusandi, & Muhammad Rusli. (2021). Merancang Penelitian Kualitatif Dasar/Deskriptif dan Studi Kasus. Al-Ubudiyah: Jurnal Pendidikan Dan Studi Islam, 2(1), 48–60. https://doi.org/10.55623/au.v2i1.18
Rustanti, N., & Ganesha, P. (2019). Interjeksi (Kandoushi) Dalam Pendidikan Bahasa Jepang (Kajian Pragmatik). Jurnal TEXTURA, 6, 1
Saputra, A. (2021). ANALISIS PEMAKAIAN KANDOUSI IMPRESI DALAM KOMIK. 1, 402–409
Sudjianto, D. A., & Dahidi, A. (2004). Pengantar linguistik bahasa jepang. Jakarta: Kesaint Blanc, 250
Uswatun, L. (2021). Metode Pengumpulan Data dalam Penelitian Kualitatif. UNPAR Press, 1(1), 1–29. https://www.dqlab.id/metode-pengumpulan-data-dalam-penelitian%0Ahttp://ciputrauceo.net/blog/2016/2/18/metode-pengumpulan-data-dalam-penelitian
Yafas, S. R., & Zalman, H. (2022). Makna Kandoushi pada Serial Animasi Isshukan Friend. Omiyage, 5(1), 84–99

Last update:

No citation recorded.

Last update: 2024-10-30 04:52:19

No citation recorded.

Copyright Notice

Starting from 2017, the author(s) whose article is published in the Kiryoku journal attain the copyright for their article and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting the manuscript to Kiryoku, the author(s) agree with this policy. No special document approval is required.

The author(s) guarantee that:

their article is original, written by the mentioned author(s),
has never been published before,
does not contain statements that violate the law, and
does not violate the rights of others, is subject to copyright held exclusively by the author(s), is free from the rights of third parties, and the necessary written permission to quote from other sources has been obtained by the author(s).

The author(s) retain all rights to the published work, such as (but not limited to) the following rights:

Copyright and other proprietary rights related to the article, such as patents,
The right to use the substance of the article in its own future works, including lectures and books,
The right to reproduce the article for its own purposes,
The right to archive all versions of the article in any repository, and
The right to enter into separate additional contractual arrangements for the non-exclusive distribution of published versions of the article (for example, posting them to institutional repositories or publishing them in a book), acknowledging its initial publication in this journal (Kiryoku: Jurnal Studi Kejepangan).

Suppose the article was prepared jointly by more than one author. Each author submitting the manuscript warrants that all co-authors have given their permission to agree to copyright and license notices (agreements) on their behalf and notify co-authors of the terms of this policy. Kiryoku will not be held responsible for anything arising because of the writer's internal dispute. Kiryoku will only communicate with correspondence authors.

Authors should also understand that their articles (and any additional files, including data sets and analysis/computation data) will become publicly available once published. The license of published articles (and additional data) will be governed by a Creative Commons Attribution-ShareAlike 4.0 International License. Kiryoku allows users to copy, distribute, display and perform work under license. Users need to attribute the author(s) and Kiryoku to distribute works in journals and other publication media. Unless otherwise stated, the author(s) is a public entity as soon as the article is published.