Analisis Penggunaan Kandoushi Dalam Game Genshin Impact

Cahaya Fatihah Dedy Putri

doi:10.14710/kiryoku.v8i2.%p

DOI: https://doi.org/10.14710/kiryoku.v8i2.%25p

Analisis Penggunaan Kandoushi Dalam Game Genshin Impact

*Cahaya Fatihah Dedy Putri - Prodi Pendidikan Bahasa Jepang, Fakultas Bahasa dan Seni, Universitas Negeri Semarang, Sekaran, Gunungpati, Kota Semarang, Jawa Tengah, Indonesia

BibTex Citation Data :

@article{KIRYOKU65703,
    author = {Cahaya Putri},
    title = {Analisis Penggunaan Kandoushi Dalam Game Genshin Impact},
    journal = {KIRYOKU},
  volume = {8},
    number = {2},
    year = {2024},
    keywords = {kandoushi; interjection; game},
    abstract = {  Kandoushi  or interjection is part of the Japanese word class or 品詞分類 ( hinshi bunrui ) which functions to express emotions or feelings, such as surprise, happiness, admiration, doubt, and so on.  Kandoushi  is often found in Japanese language communication and Japanese language media such as  anime , comics, films, dramas, and even in games. In Japanese language learning,  kandoushi  is often found in  Choukai  (listening) and  Kaiwa  (conversation) activities. On the other hand, based on the results of a preliminary study in the form of a simple interview, there are still many students of the Japanese Language Education Study Program who do not understand the function, meaning and types of  kandoushi . Therefore, the purpose of this study is to explain the types, functions, and meanings of  kandoushi  in the Genshin Impact game. The data collection technique in this study is the listening and note-taking technique. The data source in this study is a game entitled Genshin Impact. This game was chosen because it is one of the games that is popular among fans of Japanese popular culture, including students of the Japanese Language Education Study Program. In addition, various variations of  kandoushi  forms were found in character dialogues in the Genshin Impact story. The collected data were then analyzed based on Takeshi's (2019)  kandoushi  type theory. The results of this study were the discovery of 109 speech data containing  kandoushi . The 109 data were classified into 6 types of  kandoushi . The classification was determined based on the function of each form of  kandoushi . Various functions and meanings of  kandoushi  were also found in the Genshin Impact game. },
   issn = {2581-0960},   pages = {387--396}  doi = {10.14710/kiryoku.v8i2.%p},
    url = {https://ejournal.undip.ac.id/index.php/kiryoku/article/view/65703}
}

Citation Format:

Abstract

Kandoushi or interjection is part of the Japanese word class or 品詞分類 (hinshi bunrui) which functions to express emotions or feelings, such as surprise, happiness, admiration, doubt, and so on. Kandoushi is often found in Japanese language communication and Japanese language media such as anime, comics, films, dramas, and even in games. In Japanese language learning, kandoushi is often found in Choukai (listening) and Kaiwa (conversation) activities. On the other hand, based on the results of a preliminary study in the form of a simple interview, there are still many students of the Japanese Language Education Study Program who do not understand the function, meaning and types of kandoushi. Therefore, the purpose of this study is to explain the types, functions, and meanings of kandoushi in the Genshin Impact game. The data collection technique in this study is the listening and note-taking technique. The data source in this study is a game entitled Genshin Impact. This game was chosen because it is one of the games that is popular among fans of Japanese popular culture, including students of the Japanese Language Education Study Program. In addition, various variations of kandoushi forms were found in character dialogues in the Genshin Impact story. The collected data were then analyzed based on Takeshi's (2019) kandoushi type theory. The results of this study were the discovery of 109 speech data containing kandoushi. The 109 data were classified into 6 types of kandoushi. The classification was determined based on the function of each form of kandoushi. Various functions and meanings of kandoushi were also found in the Genshin Impact game.

Note: This article has supplementary file(s).

Fulltext View|Download | Data Set

Kartu Data Artikel Analisis Penggunaan Kandoushi Dalam Game Genshin Impact

Subject
Type	Data Set
	Download (1MB) Indexing metadata

Keywords: kandoushi; interjection; game

Article Metrics:

Article Info

Section: Articles

Language : ID

In Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan

Recent articles

Wanope Ikuji: Analisis Peran Tradisional Dan Konflik Patriarki Dalam Masyarakat Jepang Penggunaan Istilah Asing (Gairaigo) Review Makeup dalam Kanal Youtube Nanako [Neoki 1-byō]: Kajian Morfologi Makna Tradisi Hatsumoude (初詣) Menurut Kepercayaan Shinto di Jepang More recent articles

Most cited articles

Verba Kompon Hajimeru, Dasu, Dan Kakeru Sebagai Penanda Aspek Inkoatif Bahasa Jepang More cited articles

Active Player. (2024). Genshin Impact Live Player Count and Statistics. Active Player. https://activeplayer.io/genshin-impact/
Atli Saputra. (2021). Analisis Pemakaian Kandoushi Impresi dalam Komik. Jurnal Sosial dan Sains (SOSAINS), 1(5), 402–409
Dhea Alisa Wardany. (2022). ANALISIS KANDOUSHI PADA DANSEIGO DAN JOSEIGO DALAM FILM SHIRITSU BAKALEYA KOUKOU THE MOVIE KARYA YASUSHI AKIMOTO (KAJIAN PRAGMATIK). Jurnal HIKARI, 6(2), 121–133
Diner, L. (2020). Teknik Menyusun Proposal Skripsi (Vol. 1). Cipta Prima Nusantara
Ishikawa, S. (2018). 「感動詞」の定義の変遷について. 駒沢女子大学研究紀要, 25, 25–37
Minori, M. (2021). 日本語テキストにおける感動詞「うーん」の使用例について (Abouttheusageexampleoftheinterjection・Uun・inJapanesetext). Bulletin of Center for International Education and Research, Mie Universit, 16, 33–48
Newryugaku. (2024, April 22). #37 間投詞・感動詞・感嘆詞とは？感嘆文HowとWhatの作り方｜中学英語の文法. https://newryugaku.jp/chugakueigo37/
Rianita Kurniawati, Komara Mulya, & Cut Erra Rismorlita. (2020). ANALISIS PRAGMATIK TERHADAP PENGGUNAAN INTERJEKSI PENANDA IMPRESI TERKEJUT DALAM KOMIK DETEKTIF CONAN KARYA AOYAMA GŌSHŌ. Jurnal Kagami, 11(1), 90–111. http://journal.unj.ac.id/unj/index.php/kagami/article/view/17302
Shalika, M. P., & Mulyadi. (2019). COGNITIVE INTERJECTION IN INDONESIAN AND JAPANESE. Humanika, 26(1), 32–39
Soelistyowati, D. (2019). Ragam Interjeksi Bahasa Jepang. Deskripsi Bahasa, 2(2), 174–181
Sudjianto. (2010). Gramatika Bahasa Jepang Modern Seri A (H. Sudrajat, Ed.). Kesaint Blanc
Sudjianto, & Dahidi, A. (2004). Pengantar Linguistik Bahasa Jepang (H. Sudrajat, Ed.). Kesaint Blanc
Sudo, J. (2008). 「うん系」感動詞の韻律的特徴に関する一考察－「受け入れ」にかかわる意味・機能をめぐって－. Polyglossia : the Asia-Pacific’s voice in language and language teaching = ポリグロシア : 言語と言語教育-アジア太平洋の声, 15, 99–108. https://doi.org/10.34382/00011709
Sudo, J. (2021). 日本語の感動詞から後続発話にかけての音調接続パターン : 感動詞の機能と音調接続パターンに関する一考察 (Tone conjunction patterns from the Japanese interjections to the subsequent utterances : a study of the functions of interjections and tone conjunction patterns). Doshisha Society for the Study of Global Communications
Takeshi, K. (2019). 日本語における感動詞とイントネーションの交響 : 関連性モダリティの風情. Otsuma Women’s University annual report. Humanities and social sciences, 15, 226–207. http://id.nii.ac.jp/1114/00006724/
Tatsuki, T., Edamatsu, N., Oyama, C., Mizoguchi, R., & Yamasaki, M. (2024). 感動詞「いぇーい」「うぇーい」の意味・用法 (Meaning and Usage of the Interjections “Yeei” and “Weei”). Theoretical and Applied Linguistics at Kobe Shoin, 26(27), 32–45

Last update:

No citation recorded.

Last update: 2024-10-30 11:03:32

No citation recorded.

Copyright Notice

Starting from 2017, the author(s) whose article is published in the Kiryoku journal attain the copyright for their article and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting the manuscript to Kiryoku, the author(s) agree with this policy. No special document approval is required.

The author(s) guarantee that:

their article is original, written by the mentioned author(s),
has never been published before,
does not contain statements that violate the law, and
does not violate the rights of others, is subject to copyright held exclusively by the author(s), is free from the rights of third parties, and the necessary written permission to quote from other sources has been obtained by the author(s).

The author(s) retain all rights to the published work, such as (but not limited to) the following rights:

Copyright and other proprietary rights related to the article, such as patents,
The right to use the substance of the article in its own future works, including lectures and books,
The right to reproduce the article for its own purposes,
The right to archive all versions of the article in any repository, and
The right to enter into separate additional contractual arrangements for the non-exclusive distribution of published versions of the article (for example, posting them to institutional repositories or publishing them in a book), acknowledging its initial publication in this journal (Kiryoku: Jurnal Studi Kejepangan).

Suppose the article was prepared jointly by more than one author. Each author submitting the manuscript warrants that all co-authors have given their permission to agree to copyright and license notices (agreements) on their behalf and notify co-authors of the terms of this policy. Kiryoku will not be held responsible for anything arising because of the writer's internal dispute. Kiryoku will only communicate with correspondence authors.

Authors should also understand that their articles (and any additional files, including data sets and analysis/computation data) will become publicly available once published. The license of published articles (and additional data) will be governed by a Creative Commons Attribution-ShareAlike 4.0 International License. Kiryoku allows users to copy, distribute, display and perform work under license. Users need to attribute the author(s) and Kiryoku to distribute works in journals and other publication media. Unless otherwise stated, the author(s) is a public entity as soon as the article is published.