DOI: https://doi.org/10.14710/mdl.21.2.2021.142-154

MONTAGE AS SPATIAL RECONSTRUCTION OPERATION METHOD IN DESIGNING CINEMATIC ARCHITECTURE

Neneng Rika Lestari  -  Department of Architecture, University of Indonesia, Jl. Margonda Raya, Pondok Cina, Beji, West Java, Depok 16424, Indonesia, Indonesia
*Kristanti Dewi Paramita orcid scopus  -  Department of Architecture, University of Indonesia, Jl. Margonda Raya, Pondok Cina, Beji, West Java, Depok 16424, Indonesia, Indonesia
Paramita Atmodiwirjo orcid scopus  -  Department of Architecture, University of Indonesia, Jl. Margonda Raya, Pondok Cina, Beji, West Java, Depok 16424, Indonesia, Indonesia

Citation Format:
Abstract

This article investigated montage to understand and arrange cinematic architecture through operations of spatial reconstruction to present a sequence of spatial experiences. Montage is a part of discourses related to cinematic, film, and architecture. This article explored the montage approach as the primary basis in the architectural design process through spatial experience. The discussion is based on the idea that montage is emphasized in three things, i.e., sequence, multiple layers of meaning, and movement. These three aspects were further observed through the montage precedent comprising various cinematic precedents based on montage in architecture, i.e., Manhattan Transcripts and Parc de La Villette from Bernard Tschumi, Villa Savoye from Le Corbusier, and Maison Bordeaux from Rem Koolhaas. The finding of this study is a synthesis of some of these precedents that resulted in an understanding of space reconstruction operations, i.e., dismantlement, disappearance, and reassembly, all three of which exist as strategies that will be part of the production process to develop montage-based cinematic architectural design, creating new spatial sequence that provide alternative spatial experience. This article expands the knowledge regarding montages that cinematics and films can be a development in architectural design.

Fulltext View|Download
Keywords: Montage; Cinematic; Film; Architecture; Spatial Reconstruction Operations.

Article Metrics:

Article Info
Section: Articles
Language : EN
Recent articles
PERSEPSI MASYARAKAT AWAM TERHADAP STANDAR DESAIN DAN KESIAPAN NEW-NORMAL PADA BIOSKOP DI INDONESIA PENGARUH WISATA TERHADAP PERUBAHAN SPASIAL PERMUKIMAN DI DESA WISATA ADILUHUR, KEBUMEN ARSITEKTUR UMA LULIK FUILORO, LOSPALOS KOTA, TIMOR-LESTE POST PANDEMIC OR PRE-PANDEMIC DESIGN IN INDONESIA? More recent articles
Most cited articles
IMPLEMENTING MIXED LAND USE ROOTING JANE JACOBS’ CONCEPT OF DIVERSITY IN URBAN SUSTAINABILITY EVALUASI SISTEM PROTEKSI KEBAKARAN PADA BANGUNAN RUMAH SUSUN (STUDI KASUS : RUSUNAWA UNDIP) Daftar Isi ADAPTASI TAMPILAN BANGUNAN KOLONIAL PADA IKLIM TROPIS LEMBAB (Studi Kasus Bangunan Kantor PT KAI Semarang) EVALUATION ON SUMBER SENENG NATURAL PARK, REMBANG AS TOURISM OBJECT USING ADO-ODTWA ANALYSIS More cited articles
  1. Allen, S. (2009). Practice: Architecture, Technique + Representation (2nd ed.). New York: Routledge
  2. Amidon, J., Rappaport, N., & Reed, P. (2006). Ken Smith Landscape Architects/Urban Projects: A Source Book in Landscape Architecture. Princeton Architectural Press
  3. Böck, I. (2015). Six canonical projects by Rem Koolhaas: Essays on the History of Ideas. Berlin: jovis Verlag GmbH
  4. Carranza, L. E. (1994). Le Corbusier and the Problems of Representation. Journal of Architectural Education, 48(2), 70–81. https://doi.org/10.1080/10464883.1994.10734626
  5. Costanzo, M. (2009). Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi. Architectural Design, 79, 24–29. https://doi.org/10.1002/ad.804
  6. Dagenhart, R. (1989). Urban architectural theory and the contemporary city: Tschumi and Koolhaas at the Parc de la Villette. Ekistics, 84–92
  7. Deriu, D. (2007). Montage and modern architecture: Giedion’s implicit manifesto. Architectural Theory Review, 12(1), 36–59. https://doi.org/10.1080/13264820701553096
  8. Eisenstein, S. M., Bois, Y.-A., & Glenny, M. (1989). Montage and Architecture. Assemblage, (10), 111–131. JSTOR. https://doi.org/10.2307/3171145
  9. Frunza, B. (2007). Back in Focus: Cinematic Architecture Beyond Spatial Montage. Miami University, Department of Architecture
  10. Gutai, M. (2015). Trans Structures: Fluid Architecture and Liquid Engineering. Actar
  11. Karimah, A., & Atmodiwirjo, P. (2021). Catalogue drawing: A framing device for design thinking. ARSNET, 1(1)
  12. Koeck, R. (2013). Cine-scapes: Cinematic Spaces in Architecture and Cities. New York: Routledge
  13. Leach, N. (2006). Camouflage. Cambridge, MA: MIT Press
  14. Lim, C. (2013). London Short Stories: Drawing Narratives. Architectural Design, 83(5), 102–107. https://doi.org/10.1002/ad.1641
  15. Pallasmaa, Juhani. (2007). The Architecture of image: Existential space in cinema. Helsinki: Rakennustieto. /z-wcorg/
  16. Paramita, K. D. (2021). Weaving theory and practice: Design discourses, exchanges, and processes. ARSNET, 1(1)
  17. Penz, F. (2018). Cinematic Aided Design: An Everyday Life Approach to Architecture. New York: Routledge
  18. Prince, S., & Hensley, W. E. (1992). The Kuleshov Effect: Recreating the Classic Experiment. Cinema Journal, 31(2), 59–75. JSTOR. https://doi.org/10.2307/1225144
  19. Rattenbury, K. (1994). Echo and Narcissus+ Architecture and Film. Architectural Design, (112), 34–37
  20. Till, J. (1996). Architecture in Space, Time. In C. Melhuish (Ed.), Architecture and Anthropology (pp. 12–16). Academy Editions
  21. Tobe, R. (2017). Film, Architecture and Spatial Imagination. New York: Routledge
  22. Tschumi, B. (1981). The Manhattan Transcripts: Theoretical Projects. New York: Academy Editions
  23. Tschumi, B. (1987). Cinegram Folie Le Parc De La Villette. Princeton Architectural Press
  24. Vidler, A. (2000). Warped Space: Art, Architecture, and Anxiety in Modern Culture. Cambridge: MIT Press

Last update:

No citation recorded.

Last update: 2024-11-22 16:05:03

No citation recorded.