BibTex Citation Data :
@article{JSCL42229, author = {Mahendra Utama and Dhanang Puguh and Rabith Amaruli}, title = {Pertunjukan Kethoprak Ngesti Pandowo, 1950-1996}, journal = {Jurnal Sejarah Citra Lekha}, volume = {6}, number = {2}, year = {2021}, keywords = {Ngesti Pandowo, kitsch, kethoprak, Semarang}, abstract = { The study about Ngesti Pandowo's kethoprak performance is always enchanting because not enough attention yet been got in various studies. This article discusses the Ngesti Pandowo's kethoprak performance in the period of the 1950s-1996 using the historical method. Kethoprak has been performed by Ngesti Pandowo since the early independence of Indonesia. In it’s heyday in the 1950-1970s, kethoprak had receded and only to provide entertainment to the audience in the different type. In the 1980s, Ngesti Pandowo began entered a receding period. Its prestige as a kitsch theater began faded because the the main artists died and was no successor. It was no more creative artists who capable becoming maecenas. In this situation, Ngesti Pandowo's kethoprak performances have actually increased and can be a salvage lid to keep getting viewers. }, issn = {2443-0110}, pages = {102--109} doi = {10.14710/jscl.v6i2.42229}, url = {https://ejournal.undip.ac.id/index.php/jscl/article/view/42229} }
Refworks Citation Data :
The study about Ngesti Pandowo's kethoprak performance is always enchanting because not enough attention yet been got in various studies. This article discusses the Ngesti Pandowo's kethoprak performance in the period of the 1950s-1996 using the historical method. Kethoprak has been performed by Ngesti Pandowo since the early independence of Indonesia. In it’s heyday in the 1950-1970s, kethoprak had receded and only to provide entertainment to the audience in the different type. In the 1980s, Ngesti Pandowo began entered a receding period. Its prestige as a kitsch theater began faded because the the main artists died and was no successor. It was no more creative artists who capable becoming maecenas. In this situation, Ngesti Pandowo's kethoprak performances have actually increased and can be a salvage lid to keep getting viewers.
Article Metrics:
Last update:
Last update: 2026-01-05 06:30:53
Authors whose articles are published in Jurnal Sejarah Citra Lekha (JSCL) retain the copyright to their work and grant the journal the right of first publication. The work is simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting a manuscript to JSCL, the author(s) agree to this policy. No separate documentation is required.The author(s) guarantee that:
The work is subject to copyright held by the author(s), is free of third-party rights, and all necessary written permissions to quote from other sources have been obtained.The author(s) retain the following rights to the published work, including but not limited to:
If the article is co-authored, the submitting author confirms that all co-authors have agreed to the copyright and licensing terms and have been informed of this policy. JSCL is not responsible for any internal disputes between authors. All communication will be directed solely to the corresponding author.Authors should also be aware that once published, their articles, and any accompanying files, such as datasets or analytical/computational materials, will be publicly accessible. These materials will be governed by the same Creative Commons Attribution-ShareAlike 4.0 International License.JSCL allows users to copy, distribute, display, and perform the work under this license. Users must credit the author(s) and JSCL when distributing the work through journals or other publication media. Unless otherwise specified, the author(s) are considered public entities upon publication of the article.
Published by Department of History, Faculty of Humanities, Diponegoro UniversityJl. Prof. Soedarto, S.H. Tembalang, Semarang, Central Java 56025Phone: +6224-74680619; Fax: +6224-74680619Email: jscl@live.undip.ac.id View statistics
